A Quote by Katie Kitamura
I'm interested in dismantling the distinction between masculine and feminine writing both because I think it's a false distinction and, I think, ultimately an insulting one. It's as insulting to men as it is to women. I'm not sure what masculine writing would look like - I assume some combination of Ernest Hemingway and Raymond Carver. Writing can't be gendered in that way.
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If there's a distinction between men and women, I don't pay attention to it. Honestly, I don't see it. I think all of us are part feminine and part masculine.
If there's a distinction between men and women, I don't pay attention to it. Honestly, I don't see it. I think all of us are part feminine and part masculine. I'm sure sociologists can come up with distinctions about what's different between men and women, but for every example you can give about what a woman does, you can come up with an opposite example of other women who don't do that. Those are more artificial distinctions, I think.
I definitely believe that we really need to stop putting things in masculine and feminine boxes and realize that men and women both contain masculine and feminine energy.
My style very much leans towards the masculine, but I think I am feminine in it - I like the feminine body in masculine shapes. The androgynous look suits me.
I was very worried about being unattractive because I think I look quite masculine. Sometimes I feel more masculine than feminine and I don't like it.
Creativity is basically a feminine process. I'm convinced that we have in our soul, everybody, this masculine side and this feminine side. So at the end of the day, you always use this feminine creative energy to write or to do any type of art or creativity. So if I see that my protagonist is feminine, it's not more difficult, no. And even when my protagonist is masculine, I'm writing from using this feminine energy.
It has been suggested that Tiptree is female, a theory that I find absurd, for there is to me something ineluctably masculine about Tiptree’s writing. I don’t think the novels of Jane Austen could have been written by a man nor the stories of Ernest Hemingway by a woman, and in the same way I believe the author of the James Tiptree stories is male.
No [I'm not a feminist] because I love men, and I think the idea of 'raise women to power, take the men away from the power' is never going to work out because you need balance. With myself, I'm very in touch with my masculine side. And I'm 50 percent feminine and 50 percent masculine, same as I think a lot of us are. And I think that is important to note. And also I think that if men went down and women rose to power, that wouldn't work either. We have to have a fine balance.
Perhaps both men and women in America may hunger, in our material, outward, active, masculine culture, for the supposedly feminine qualities of heart, mind and spirit — qualities which are actually neither masculine nor feminine, but simply human qualities that have been neglected.
It seems to me that 'women's writing' by nature would not seek equivalence in the male world. It would be a writing that sought to express a distinction, not deny it.
The Greek makes the distinction between petros and petra simply because it is trying to preserve the pun, and in Greek the feminine petra could not very well serve as a masculine name.
I think every individual, and every society, is perfected just in proportion to the combination, and cooperation, of masculine and feminine elements of character. He is the most perfect man who is affectionate as well as intellectual; and she is the most perfect woman who is intellectual as well as affectionate. Every art and science becomes more interesting, viewed both from the masculine and feminine points of view.
A distinction must be made between that writing which enables us to hold on to life even as we are clinging to old hurts and wounds and that writing which offers to us a space where we are able to confront reality in such a way that we live more fully. Such writing is not an anchor that we mistakenly cling to so as not to drown. It is writing that truly rescues, that enables us to reach the shore, to recover.
I have probably four or five male friends who have a real strong masculine side but some degree of a feminine side, too. They're pretty rare, whereas I think women with a masculine side are much less rare.
If we keep on talking about masculine and feminine and following those stereotypes, then we will make women suppress and despise their so called masculine qualities and men suppress and despise their so called feminine ones, and that's where all the trouble starts.
We are all dually feminine and masculine. To give in to both of those things would strengthen us as human beings and there is such a drastic difference between men, and men who are terrified of their own femininity.
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