A Quote by Kathleen Hanna
It's really funny - when I'm depressed or I'm having a hard time, I'll write really fun stuff. And then when I'm really happy, I write really depressing stuff.
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I don't really analyze my stuff when I write. I write about stuff that I'm interested in, that I'm feeling at that particular time. When I stand back and look at the complete work, I might see themes that run through the whole film, but I'm not really conscious of it when I'm doing it.
It's time to start really writing some stuff, and I really wanted to write some stuff in the vein of the original Misfits, and this was really the first step in that direction.
I write really scathing, angry stuff when I'm in a better mood, and then uplifting and happy stuff when I'm at the absolute bottom.
I know some people are like, 'I'm depressed, and I'm a struggling artist,' and that really works for some people, but that doesn't work for me. I have to be really happy, even when I'm writing my depressing songs; I have to come through that stage before I can write.
People could write stuff that's really offensive, but if it's written within a believable world that has a tone to it, then it can be funny. But if it's just shock-value stuff, then it's not going to work, because it's not coming from a true place.
When I write something simple I'm always really proud of it. When you write something that simple with that much air in it and the whole premise behind it is something pretty obvious - that everybody wants to be happy and free - the song is sort of an exercise in not forgetting that's what you really want and what you really need. We can get caught up in a lot of other stuff.
I know some people are like "I'm depressed and I'm a struggling artist" and that really works for some people, but that doesn't work for me. I have to be really happy, even when I'm writing my depressing songs; I have to come through that stage before I can write. I have to be in a good place. I'm a positive person.
I didn't really want to write about music very much in 'High Fidelity.' I wanted to write about the relationship stuff, and the music stuff is kind of a bit of fun on top and something to frame it with.
In the happy scenes there were really fun times. Sean would say really funny stuff because he likes to improv. I would want to laugh, but you are not allowed to do that during the take.
I've had to really teach myself that when you're not feeling it, you shouldn't write anything down because you're going to end up coming back and re-writing it later. Whereas, if you write when you're feeling something, when you're really in the streak, then that's when you're going to get your best stuff.
For me, I'm a fan of really dark, depressing stuff. Even something like The Wire, which can be hugely depressing and really serious, the bits I always remember are the jokes, you know?
I think probably the thing I'm worst at is the most ephemeral stuff, like blogs. I find it really hard to write. And I'm often been asked to write columns for papers in Peru. And I can't. I would die. There's no way I could write a column.
It's really hard when people write nasty things about you all the time. As much as good things are said about you, it's always those one or two bad comments that really stay with you and gnaw at you. I try not to read that stuff if I can.
I used to do poetry and write stories and stuff - I never really had anybody standing over my shoulder, like, "What did you write? Let me hear it." I hate that type of stuff.
Stuff just comes out all the time, sometimes when I sing live it really comes alive and I sort of... I write songs and then almost... not forget about it, but live it really comes out and I suddenly realise what I've written. I don't know where it all comes from.
I just like to write stuff that makes people laugh, stuff that works, a fun movie that everyone can enjoy. I'm not really worried about the packaging, marketing, and what the studios are going to run next.
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