A Quote by Katharine Brush

Most passport pictures are good likenesses, and it is time we faced it. — © Katharine Brush
Most passport pictures are good likenesses, and it is time we faced it.
Since the dawn of time man understands that suffering, faced with no fear, is his passport to freedom.
The need of the human mind for contrast has its roots in the mind's age-old habit of looking for differences and likenesses. When the mind can find no differences and no likenesses, as is the case when monotony is present, it restlessly, then resentfully, and at last frantically seeks for contrast that it may again busy itself with observing differences and likenesses.
It is proper to take photographs or other kinds of pictures of persons to put them before us for sight or remembrance. But it is improper to make pictures and images of God and to take his likenesses therefrom to his great distortion.
I have a diplomatic passport for India, diplomatic passport for Albania. I have Vatican passport and to America, I can go any time.
I always take a cashmere blanket, and I have pictures of my family in my passport holder.
I am now a mother and a grandmother, and I do not recall that I have ever ignored the claims of the nomadic button and the ceaseless call for sympathy, and the greatest demand on time and patience. My children and their children have been my closest thought, but from the first days of dawning individuality, I have longed unceasingly to make pictures of people... to make likenesses that are biographies, to bring out in each photograph the essential temperament that is called, soul, humanity.
Why take notes? The obvious reason is to remember. Visual note-taking translates what we hear into pictures that give context, color, and meaning. By adding symbols, visual metaphors, likenesses of people, and room layouts, we add several dimensions.
Taking good pictures is easy. Making very good pictures is difficult. Making great pictures is almost impossible
Part of the role of photography is to exaggerate. Most of the photographs in your paper, unless they are hard news, are lies. Fashion pictures show people looking glamorous. Travel pictures show a place looking at its best, nothing to do with the reality... Most of the pictures we consume are propaganda.
You can do bad parts in good pictures or good parts in bad pictures and maybe get a little personal satisfaction. But the key to it all is good parts in good pictures.
Most of us have faced a - faced a serious budget problem or another at some pivotal moment in our lives.
I’m saying language is a passport. A dubious, dangerous passport too.
It is easy to take good pictures, difficult to take very good pictures, and almost impossible to take great pictures.
A person himself believes that all the other portraits are good likenesses except the one of himself.
Obviously I faced the possibility of not returning when first I considered going. Once faced and settled there really wasn't any good reason to refer to it.
I think, for a lot of people, the point is to get high engagement and likes on their photos, so I think it's just good marketing. But at the same time, if you're posting pictures and you look nothing like your pictures, then it's false advertising.
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