A Quote by Catherine Gilbert Murdock
I’d promised myself that I’d really work on talking more, talking about uncomfortable things, because I could see from Brian how well things could work out if you did.
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I never think of my work as writing for a young audience, frankly, because I think it risks talking 'down' to them. The idea is for these books to work just as well as for adults as kids. As for what readers will take away, I just want them to love being in the world and see it as a safe place to explore things that adults are often uncomfortable talking to them about.
I am uncomfortable talking about the things that I write. It seems unseemly to me. I have no problem at all when I see anybody else talking about the same project, but I feel my work should speak for itself.
I don't see any harm with coming out and talking about your life and talking about problems and talking about things that happened when you're past certain situations.
I hesitate talking about a program for change because we're in this moment where no one is listening to sex workers about how things should change. So I'm even speaking less as a former sex worker and more as a person trying to see the bigger picture that might be hard to see when you're doing sex work full-time, or running a social service organization, or doing all the things that a lot of sex worker activists are doing. It's hard work, and they don't necessarily get the time to step back and see the whole picture.
He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.
There is something I like about talking to journalists that really goes beyond promotion because you aren't just talking to the journalist, but you are talking through them to people who presumably are fans of the Rolling Stones. The interviews give you a chance to say a few things and maybe clear up some of the things people read about the band.
I would probably creepily follow my kids around, see how they act, see what they talk about. I record my daughter just talking because the things she says are so funny. I could watch her talk all day.
If you want to play the game and win, you've got to play 'full out.' You've got to be willing to feel stupid, and you've got to be willing to try things that might not work - and if they don't work, be willing to change your approach. Otherwise, how could you innovate, how could you grow, how could you discovery who you really are?
I don't want to get so lost in thinking about me and talking about me all the time in interviews. It's so nice to unwind and just look at other things and get out of yourself. It's hard to detach myself from myself without neglecting myself. You know what I mean? I don't want to get in to the habit of thinking about my career because when it comes down to it, it's not really that important. I could die tomorrow and the world would go on.
If you're talking about musically, I think I understand just a little bit more about things that were mostly intuited back then - how certain timings and tones work, so I can be a little more analytical about things now.
Is so interesting, is that when you're blindfolded and you're talking to somebody the conversation goes to places that it would never go if you could see the other person's reaction. You start talking about very intimate things. It's such an interesting experience.
Everyone needs some trial and error figuring out how it's gonna work for them. I could have gotten that out of the way a little sooner but I think you're totally right, the way I kind of think about things and the way I wanted to put myself out there doesn't fit the traditional side of things. I needed things like podcasts and YouTube and things that allow you to get it out there yourself and stand in the flames.
If you don't have the ability or encouragement to use yourself in a physical way, you could become just another talking head. And talking heads run things. That's part of the reason why we're in such a sad state as a planet, because it's all about thinking, and thinking has led to a lot of aggrandizement - taking over [resources] and figuring out how you can steal and leaving people and the planet in an impoverished state.
I had 50 pastors, ministers, I had priests, I had a couple of rabbis in a big conference room in one of my buildings. And we're talking and I could see they really liked me. But I could also see they couldn't endorse me. I said, "Just out of curiosity, why?""Well, we can't do it because we'll lose our tax-exempt status."
Trump is an outsider; maybe you don't know. So he is sitting in a room: he is talking business, he is talking politics - in a private room, it's a different persona. When he's out on the stage, he is talking about the kinds of things he's talking about himself; he's projecting an image that's for that purpose.
I was really unfit last year, so I worked out for a long time, then spent time by myself in Oregon. For about two months the only person I saw was my trainer. Every day I did a lot of running and I just didn’t want to talk to anyone for two months. So when I started talking again, it was like you would communicate wrongly, like you wouldn’t really remember how to speak. That was one of the key things as well as just reading the book, reading the script a million times, just figuring things out.
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