Success is not something you own; it's something you rent, and the rent is due every day. When you stop paying rent on success, you start paying the rent on failure.
I started writing nonfiction because nonfiction is well-suited to subjects that, if you wrote them as fiction, people would say, "I don't believe this. This is a little outlandish".
I've not been in a live-in relationship. But I've been exposed to various kinds of equations that can exist between people. When I came from Bangalore, it was black and white. Over the years, I've realised that there's more to what we see on a day-to-day basis. There are all kinds of relationships, all kinds of equations.
When you're researching things that have happened, the clear narrative arc is not there already. This is the problem of writing nonfiction for me - writing nonfiction which is about serious subjects and has serious political and social points to make, yet which is meant to be popular to a degree - what happens when the facts don't fit a convenient narrative arc? I guess that for a lot of nonfiction writers that is a central challenge.
When I'm not writing, I read loads of fiction, but I've been writing quite constantly lately so I've been reading a lot of nonfiction - philosophy, religion, science, history, social or cultural studies.
Everyone else thinks I'm a nonfiction writer. I think it's because my nonfiction is easier to find. But I write both in equal measure. I love writing fiction because I can totally lose myself, and I get to make up the rules of the world that I'm writing.
Most people think of the economy as producing goods and services and paying labor to buy what it produces. But a growing part of the economy in every country has been the Finance, Insurance and Real Estate (FIRE) sector, which comprises the rent and interest paid to the economy's balance sheet of assets by debtors and rent payers.
As I started to read nonfiction in the mid '70s, I discovered, holy cow, there was a lot of imaginative nonfiction. Not the kind where people use composite characters and invented quotes. I hate that kind of nonfiction. But imaginative in the sense that good writing and unexpected structure and vivid reporting could be combined with presenting facts.
After I graduated from the University of Glasgow, I was a self-employed archaeologist going from dig to dig around Scotland, and it was not well-paid. I was an excavator, not a lecturer as well, so paying rent on a flat was tricky. In the end I decided to retrain as a journalist as I couldn't see a future in it.
The competitions between fiction and nonfiction, short and long, electronic and paper, are not battles in which there can be only one victor. After all, we exist in a world where more kinds of writing than ever are greeted with interest and enthusiasm.
In my twenties, my dad was paying half my rent and my ex boyfriend was paying the other half. I wasn't in a good place!
I started off doing fiction in 1993. It didn't occur to me to do nonfiction because it wasn't a thing yet. So I was bumbling around, writing short stories, and then I took a nonfiction workshop, and I realized that this was what I was supposed to do.
We still go to nonfiction for content. And if it's well-written, that's a bonus. But we don't often talk about the nonfiction work of art. That's what I'm very interested in.
Americans spend much of their adult lives paying taxes in various forms. We should end this practice of paying a tax that is triggered only by debt.
People shouldn't be forced to chose between paying for rent or paying for medication. They deserve a government ready to take on Big Pharma by implementing health coverage, starting by extending pharmacare coverage to every Canadian.
I have played various kinds of roles. There are various territories that I have explored as an actor.