A Quote by Katherine Jenkins

I always choose songs that I have an emotional connection to, and I often feel myself getting very emotional when I sing. — © Katherine Jenkins
I always choose songs that I have an emotional connection to, and I often feel myself getting very emotional when I sing.
When I became a parent I forgot about the part of myself which was very emotional, very dour a little depressed - but very good at writing emotional songs.
The B-52s, you know, our songs are about volcanoes or lobsters. Cindy and I sing them like our lives depend on them. I feel very emotional when I'm singing 'Rock Lobster,' but I've wanted to sing more about my personal experience.
I started dealing with my emotional pain by writing. I always had been a writer, but just not songs. Saying things on paper that I would never, ever say, and saying things to myself, admitting things to myself, about myself and my personality, just putting it on paper, is how I deal with emotional pain.
I have always struggled with expressing emotion, I used to think I was a very hard person but music has shown me I'm a big softy! Writing songs to me really is like writing a diary, it's very private and very personal. My most emotional songs have been written alone in a locked room, I'm able to express myself there.
I've always been very emotional when I sing.
Sociopaths differ fairly dramatically in how their brains react to emotional words. An emotional word is love, hate, anger, mom, death, anything that we associate with an emotional reaction. We are wired to process those words more readily than neutral, nonemotional words. We are very emotional creatures. But sociopaths listen as evenly to emotional words as they do to lamp or book - there's no neurological difference.
Fashion is emotional, and the way women look at it is emotional, so it's very important to try to connect with a woman's idea of how she might feel.
I always prefer to write songs about emotional situations and heartbreak because I like getting into the character.
Science tells us more and more now that there is a strong connection between emotional well-being and health outcomes, and that you can proactively cultivate emotional well-being through relatively simple practices like sleep, social connection and meditation.
I think people are getting into these 'Empire' songs because of the emotional investment they have in the characters. You kind of feel like you know the songs already because you just watched them play out in front of you with these characters.
Songs I do have to strike an emotional chord the first time I sing them.
When it comes down to the song writing, I'm just very slow - very slow. Because the songs are about my life, so I'm doing emotional work on myself. As I'm writing these songs, I have to learn these lessons and dig real deep into my heart to write this stuff.
I feel that when I listen to music - not that it's bad - it's not emotional. It has a gimmick to it. It's selling something: the artist, the producer, something. The emotional capacity is very small, for the listener as well.
Even when you're producing difficult material and you get emotional, after it you feel good; you feel like you've done a good job, or had an emotional release. I've always enjoyed that, but you go home and think, that was a good day's work, and you move on.
For me, listening to Beethoven and Tchaikovsky in particular, there's an emotional aspect - very different kinds of emotional aspects from those two composers, nonetheless, very strong emotional aspects from both of those composers.
When it comes down to the song writing, I'm just very slow - very slow. Because the songs are about my life, so I'm doing emotional work on myself.
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