A Quote by Katherine Moennig

I come from a family of artists. — © Katherine Moennig
I come from a family of artists.
I don't come from a family of artists.
I've been drawing since I was about 3 and I come from a family of artists.
One of our chief needs as creative beings is support. Unfortunately, this can be hard to come by. Ideally, we would be nurtured and encourages first by our nuclear family and then by ever-widening circles of friends, teachers, well-wishers. As young artists, we need and want to be acknowledged for our attempts and efforts as well as for our achievements and triumphs. Unfortunately, many artists never receive this critical early encouragement. As a result, they may not know they are artists at all.
And when I look back I recognize now that I indeed do come from a large family of artists. Whether they necessarily realize it or not.
I'm just hoping that, as more black artists take control of the narratives that are out there, more opportunities will come around for artists of colour. We want to make the same waves that the white artists do.
Well, my family used to live in Atlanta a few years back so I always had a good relationship with all the artists down there, as well as artists from Houston and Memphis, before the South took over, I was already like a family member of the South so there's always love.
I believe your success is based off what your goals are. Are you trying to feed your family or have plaques on the wall and be broke? In that case, I think the game is in a better place. We have all heard of famous artists who are broke. Then we know of artists who may have had only a song or two on radio, but have a million or two dollars off that quick come up.
My family has artists, but they are all working artists. They are not movie stars. They don't get paid. I really respect that blue-collared ideology where they're just trying to make a living.
As the scripts come in they are sent to the artists, and the artists are either very busy, or ready to start.
As a new artist, you come out, and there are so many other new artists. It seems like there's a whole wave of new artists that come along every year. In '05, I was part of the crop. It was a lot harder trying to set myself apart from the rest of the pack.
I'm an only child, so I don't come from a big family. But it has been my observation from friends who do come from big families that usually, when you have a family fight, on the back end you come out better and stronger for it.
I think the entrepreneurial activities that make art visible and attractive are what lure people into the amusement park that SoHo has become or that Bushwick or Williamsburg has become. It's not that outsiders come to an area because they hear artists are living there. A lot of people came who were not that interested in living with artists, but they were interested in living like artists and socializing the way that they thought artists socialized.
I come from a petit bourgeois family, and I've always been drawn to artists and people who choose their own way of life instead of being chosen by the lives that people want for them.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
With the artists that I named - Michael Jackson, Janet Jackson, Madonna, every time they come out with a new album, something's slightly different. In the case of Madonna, she'll come with one joint that'll be left, and then come totally right, but it's always hot. She's just got style. So, at the end, I want my name to be up there with those artists; for people to say, he's one of those iconic figures you can't put in a box.
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