A Quote by Catherine Drinker Bowen
In writing biography, fact and fiction shouldn't be mixed. And if they are, the fictional points should be printed in red ink, the facts printed in black ink.
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That's sort of the amazing thing about writing something down and then having it printed and published - it's frozen. It's there. It's set. It's in ink. It's done. Nothing changes it.
In the printed page the only real things are the paper and the ink; the white spaces play the same part in aiding the eye to take in the meaning of the print as do the black letters.
I think my image gets distorted in the public's mind. They don't get a clear or full picture of what I'm like, despite the press coverage I mentioned early. Mistruths are printed as fact, in some cases, and frequently only half of a story will be told. The part that doesn't get printed is often the part that would make the printed part less sensational by shedding light on the facts.
The product of paper and printed ink, that we commonly call the book, is one of the great visible mediators between spirit and time, and, reflecting zeitgeist, lasts as long as ore and stone.
As the words of my book, 'The Bloodless Revolution,' accumulated, I envisaged a parallel growth: the stack of pages they would have to be printed on, thousands of times over; every page representing a slice of forest, a belch of fumes and a squirt of toxic ink.
In my youth I regarded the universe as an open book, printed in the language of equations, whereas now it appears to me as a text written in invisible ink, of which in our rare moments of grace we are able to decipher a small segment.
In a world of intrusive technology, we must engage in a kind of struggle if we wish to sustain moments of solitude. E-reading opens the door to distraction. It invites connectivity and clicking and purchasing. The closed network of a printed book, on the other hand, seems to offer greater serenity. It harks back to a pre-jacked-in age. Cloth, paper, ink: For these read helmet, cuirass, shield. They afford a degree of protection and make possible a less intermediated, less fractured experience. They guard our aloneness. That is why I love them, and why I read printed books still.
A book should long for pen, ink, and writing-table: but usually it is pen, ink, and writing-table that long for a book. That is why books are so negligible nowadays.
I've always said that the greatest racism in Hollywood has to do with what color ink you produce: Black or red.
The ability of the press to print their stories without the government trying to get them to betray their sources is as essential to a free press as the ink it is printed with. Otherwise, who will hold accountable those who hold power over us?
Science fiction is a field of writing where, month after month, every printed word implies to hundreds of thousands of people: 'There is change. Look, today's fantastic story is tomorrow's fact.
The French Revolution printed money because they didn't have any, so they just printed it, and this was a revolutionary step which of course we are still reaping the huge consequences of today. It struck me that this was beginning to happen...there had been scandals where shares had been printed.
When I first heard the 'Urumi' script, I was surprised, shocked, and excited. It was a strong script with a reference to the past. It had fact mixed with fiction. To incorporate facts into a film and introduce fictional characters was interesting. I loved the script.
Bright beads of red are rising through the ink, Hearts-blood bubbles smearing out into the black stream
Particularly since the computerization of the world, the impact of media has grown enormously. The printed books and the printed media have become less important. Why should somebody read Laozi or Confucius if he can Google?
I use dull colors in my drawings because I started out using a root beer base, because it seemed like an interesting idea, and when it turned out that it worked quite well as an ink, I started using other colors that would complement it, like grays from Higgins black writing ink and, more recently, Dr. P.H. Martin's olive green and vermilion.
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