A Quote by Katherine Waterston
I've never had to talk about my work, nobody's given a damn about it - you know, what I thought. I find that I sort of like that, to get to keep it to myself. It's a bit bizarre.
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The best books, they don’t talk about things you never thought about before. They talk about things you’d always thought about, but you didn’t think anyone else had thought about. You read them, and suddenly you’re a little bit less alone in the world. You’re part of this cosmic community of people who’ve thought about this thing, whatever it happens to be.
I hired a publicist once I got cast in 'Passing Strange,' and one of the first conversations we had was about how I wanted to handle talking about my sexuality. I said, 'It's never been an issue for me. I want to talk about my work, but if something about myself relates to my work, of course I'll talk about it.'
I feel like I'm changing as a human being, and I think that the work needed to be in line with where I'm at. When I was younger and I was making political work, I was trying to figure out where my work fit in because when you're young you're like, "I don't know." I'm Latino, I grew up in Mexico, and so I thought that maybe I had to talk about those things. Then finally I didn't need my identity to rely on anymore. So now the work is becoming about more esoteric things, I guess - my own sort of language.
Given that all our lives rest on work that defines us, the business of labor, the wealth that work manifests itself to, I find it odd that not much is written about it. We talk about relationships, damage, adultery, revolution, but we don't talk about work.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
I had always had a little problem looking out for myself in love. I was afraid people would leave me. So I sort of clung and did everything possible to keep someone around. I didn't have a hard talk with myself about who I was keeping around. Doesn't take a rocket scientist to figure that out. I clung to people like human life preservers. I thought i'd die if someone left me. Its ironic because now I'm the one who's leaving.
I never talk about what I'm writing about currently, never. It's private work on your own, no need or obligation to talk about it. Writers are made into performers these days, including myself, but there are some instances in which I will not perform.
The first time I had work in a public space it felt very strange to see people that I didn't know looking and, and presumably commenting on, my work. Nowadays, I'm a bit more fatalistic - they either like the work or they don't and there's not a lot I can do about that. The trick seems to be not to get too pissed on open nights so that I can answer any questions without making a fool of myself. Doesn't always work!
I always sort of talk about - to myself at least, or to my friends, about wanting to just keep life very simple. I've found it most simple here in New York. You know, it's basically I have a, in a way, a 9-to-5 job, you know? I do eight shows a week. I live in New York City. I get to walk everywhere, and you know, just be one of the people of the city. And it's actually wonderful.
I've always had bizarre, negative feelings about anything traditional, like marriage and family. I never thought something like that worked.
I mean, the way I'm talking, it sounds like I'm - you know, I'm about to go out and sign up for the nearest seminary, and you'll never see or hear from me again. But it's a hard thing to talk about really 'cause I'm not at all sure myself about it. But I've got a very, very simple sort of outlook to it. Yeah, that's all I can say, really.
I had never thought that so many people would know me, will talk about me, and most of all, I will be given a National Award.
You can ask me anything you like about my work, but I'll never talk about myself.
The privilege I've had as a curator is not just the discovery of new works... but what I've discovered about myself and what I can offer in the space of an exhibition - to talk about beauty, to talk about power, to talk about ourselves, and to talk and speak to each other.
I thought of all the magazine article I'd read on mothers who worked and constantly felt guilty about leaving their children with someone else. I had trained myself to read pieces like that and silently say to myself, 'See how lucky you are?' But it had been gnawing at the inside, that part that didn't fit, that I never let myself even think about. After all, wasn't it a worse kind of guilt to be with your child and to know that you wanted to be anywhere but there?
I've always been very shy and sheltered; I think it was a good way of starting to communicate with people. I was taught as a child never to talk about myself, never to talk about my emotions. Of course, now I talk about myself constantly. Now I have to take reverse est.
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