A Quote by Kathryn Hahn

I got a liberal arts education just because I felt like I should to keep my parents happy, but it was for them. If it was up to me, I would've just moved to New York. — © Kathryn Hahn
I got a liberal arts education just because I felt like I should to keep my parents happy, but it was for them. If it was up to me, I would've just moved to New York.
I did not move to New York with a plan. The first time I moved to New York, I just popped up. My sister was living here in New York. I just popped up. She had her baby and a husband, and I just popped up. 'Hey, what's up? I got $200 and dreams. Let's do this.'
My parents had an old-fashioned ideal of college, that four years at a liberal arts college should be a liberal arts education.
I always considered myself a songwriter, but I didn't move to New York with plans of doing that; it just sort of happened. Everyone thinks that I moved to New York strictly to play music, but I totally just happened to fall into playing with Woods, and it all got started from there. I just went to New York to hang out.
I am the first one in my family to go to college and I felt a great responsibility when I was at school, because my family was making so many sacrifices for me to be there. I was raised by a single mother, my grandmother got on the plane and helped me move to New York and moved me into the dorm. It was just a big moment, and, yes, it was my dream to be an actress, but also I didn't want to let them down.
I loved being on Broadway, but performing has become exhausting, and I just don't want to live in New York anymore. I'm just sick of the competition in New York, the feeling that I always have to rehearse to keep up my performance. I don't feel like rehearsing, even though it should be my favorite thing in the world to do.
My whole family is in the arts some way or the other. My father was a cellist in a symphony outside Chicago that was a side-job, he was a scientist. My mother was a dancer in New York. She was next-door neighbors with Dorothy Loudon and they moved to New York together. Mom was a dancer in New York for several years before she got married. My sister was a classical pianist. And my brother was a partier. So it all just seemed to work.
Being in New York, and meeting really amazing, talented, eccentric, and bold people, and just feeling really excited about life, got me really revved up and I just felt like everything was at my fingertips - that I could try anything. I really felt invincible. It was such a shift.
I grew up in New York, and I grew up with a mother who was an arts lover herself, and I went to these New York City public schools with these great arts education programs, so it was something that I was lucky enough to be able to be exposed to very early.
My parents left Iran in 1979 and moved to France and then moved to the U.S. My brother was born in France and I was born in New York. I think my parents left France because they felt their kids would never be accepted by French culture. Here they thought we could feel American - that we could feel safe in that way - which was important to them, given what their experiences were in Iran. They used to joke about how I could be president because I was the only one born in America.
I got a hotel room at New York New York in Las Vegas and I was very happy. They've got that rollercoaster encircling the entire premises, just like Manhattan.
As skills and energy became more of a demand, people who didn't have skills just got left behind, got shuttled to the side. Education didn't keep up with their promise. Education didn't prepare them for this new world. Jobs went overseas.
When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music.
Obviously, you've spent some time in New York. I moved there and it was a bit much. It was a bit overwhelming for me. I didn't want to go out. I just felt a little homesick. I was just waiting to feel excited about something. I went through a phase of feeling kind of dull. It's really easy to shut off in New York and stay in your apartment.
I didn't grow up, really, in the film business, even though my parents are both artists. I grew up in New York City. They would never put me into acting. I just kind of wanted it, and I told them that.
I just moved [Bloomington] because I didn't do well with New York. It made me kind of anxious and it was just incredibly expensive. It just has this very small-town feel.
I went to really good New York City public schools that had arts programs. So in junior high, I got into the drama department. From there, I went to a performing arts high school in New York City called Laguardia and I just kind of fell into the professional side by happenstance.
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