A Quote by Kathryn Hahn

It really is a biological bummer that a woman's chief moneymaking years align with her most fertile. It sucks. I wish that there was some way you could invert it. — © Kathryn Hahn
It really is a biological bummer that a woman's chief moneymaking years align with her most fertile. It sucks. I wish that there was some way you could invert it.
The really funny thing is that most all of my friends who are priests have seen me perform, and they say, 'I wish I could talk the way you do on stage. I wish I could reveal truth to my congregation the way you do.'
What I do know is that I can't hurt a ghost. I wish I could fall in love with Ann Stuart. I wish I could wed her and bed her and have children with her. I wish I could fill that huge house with little spirit children who would live forever and never die.
It's so funny the world we live in now. The years where you are most fertile, those are also the fertile years for career and personal growth. And so you're not encouraged to get pregnant in your 20s. But the 30s are when the biology kind of has you by the ovaries, so to speak.
Drew is a wonderful woman. I love her very much. I wish our marriage could have worked out. I wish her much happiness.
On some level, you could say you wouldn't have 'In Style Magazine' at all had Anna Wintour not decided to put celebrities on the cover of 'Vogue' from her earliest years as Editor in Chief.
But truly, women are amazing. Think about it this way: a woman can grow a baby inside her body. Then a woman can deliver the baby through her body. Then, by some miracle, a woman can feed a baby with her body. When you compare that to the male’s contribution to life, it’s kind of embarrassing, really.
Although most people spend their entire lives following this biological impulse (i.e. the sex drive), it is only a tiny portion of our beings. . . . If we remain obsessed with seeds and eggs, we are married to the fertile reproductive valley of the Mysterious Mother but not to her immeasurable heart and all-knowing mind.
I wanted to be an independent woman, a woman who could pay for her bills, a woman who could run her own life - and I became that woman.
I do have one regret though. I wish Kathy Acker was still alive. I wish I could go swim with her again. My literary indebtedness to her is enormous. She's a more important mother to me than anyone can possibly imagine. In language I became a daughter worth a crap because of her. In language I redefined daughter, woman, I became a writer. Dora is an homage of sorts.
Some say that I was once uncommonly beautiful, but I wouldn't wish beauty on any woman who has not her own freedom, and who chooses not the hands that claim her.
Amanda [Bynes] and I are the same age so I grew up watching her and really looking up to her and for me, to see this path that's happening and to watch it, is kind of really affecting me in ways that I didn't think it would. It's weird to be in a situation where you can't help. I obviously don't know her at all but I want to bring her back and I want to make her happy and healthy for some reason and she's not there and we can't do anything to help so it kind of sucks. All we're doing is hurting it.
My biggest misfortune, my greatest regret, is that I wish I'd cut my time with Clint in half. I wouldn't say I wish I never had the relationship, but I wish I'd found a way - I'd understood who he was, where it would end - five or six years earlier so I could have gotten on with things.
Nicki Minaj is a very strong woman who knows exactly what she wants. As an artist, I understand her, and I could see how she could be misunderstood by a lot of people, but she is really passionate about her art, and that's something I really admire about her.
I've read a lot of really great characters in some really crappy stories, where I said, like, 'Boy I could shine here, but the story sucks.' I don't want to be part of that.
And when her biographer says of an Italian woman poet, 'during some years her Muse was intermitted,' we do not wonder at the fact when he casually mentions her ten children.
For me, the most exciting thing is that Jane Campion is a woman we can all really look up to. She doesn't have the body of work that some other directors do - no woman director does - but her work is so consistently original, wonderful, masterful.
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