A Quote by Katherine Helmond

I'd really like to show women my age - who've had children grow up or lost husbands or retired after working all their lives - that there are options. There are choices. We don't have to just sit around and be invisible.
In my state, two women who came to the U.S. as 'mail-order brides' were killed by abusive husbands. They had risked everything to come to this country, and it cost them their lives. We must let women know they have options.
I was a working class Jewish girl. In my girlhood, anti-Semitism was a daily fact of life in Detroit. I did not come from people who had many options in their lives or many choices open to them. I was a girl in a family in which women were, as in society at large, very much second-class citizens. I did not see why I should accept these forced limitations without a fight. Being free to make my own choices thus became very important to me at an early age.
When I look around me, I see mostly women who are alone, left by their husbands after their kids grew up, for a younger woman, which is the most common thing, or suddenly abandoned after getting married and left with young children.
I really can't describe what my stand-up is like - people see it and they say it's like that, or it's like this, and that's really up to them, that's fine, but I don't sit around all day analysing it. I just try and enjoy a show and interest myself because if I don't do that then I won't interest anybody else.
But later that day, the streets of Kweilin were strewn with newspapers reporting great Kuomintang victories, and on top of these papers, like fresh fish from a butcher, lay rows of people - men, women and children who had never lost hope, but had lost their lives instead.
A lot of women make choices based on how they saw their mother's choices working out, how they saw the choices of the women elders in their lives working out. There's some rebellion in that, but there's also some deep reflection.
I think 'Lost' was really a pioneer in the use of the kind of connection between a television show and the Internet, and the Internet really gave fans an opportunity to create a community around the show. That was something that wasn't really planned; it just sort of grew up in the wake of the show.
I would ... go up to the mailbox and sit in the grass, waiting. ... Till it came to me one day there were women doing this with their lives, all over. There were women just waiting and waiting by mailboxes for one letter or another. I imagined me making this journey day after day and year after year, and my hair starting to go gray, and I thought, I was never made to go on like that. ... If there were woman all through life waiting, and women busy and not waiting, I knew which I had to be.
Musically, what happened was this: I retired twice. I retired after The Black Crowes, and I retired after Brand New Immortals. Then, we started buying real estate, which really took up my time. I was busy. I was still teaching yoga, but I was mostly busy running business, and I was fine. I was happy.
Husbands come and go; children come and eventually they go. Friends grow up and move away. But the one thing that's never lost is your sister.
So many women today have become so focused on their children, they've developed these romantic entanglements with their children's lives, and the husbands are secondary. They're left out. And the romantic focus is on the children.
When I started, I had a really hard time getting work. It was the mid- to late-nineties. There was the WB. My age was perfect for it, but I just never came across as a youngster. I had to grow into my age in order to start working, and by the time I did, it was when things started to get good.
Just when summer gets perfect-fresh nights, soft sun, casual breezes, crushingly full and quietly cooling trees, empty beaches, and free weekends- it ends. Life is like that too. Just when we get it right, it starts to change. The job gets easy and we know just how to do it, and they tell us we're retired. The children grow up and get reasonable and they leave home, just when it's nice to have them around. . . . That's life on the edge of autumn. And that's beautiful-if we have the humility for it.
I was moaning and grieving as if I lost one of my own children. It was probably one of the most real feelings I ever had on the show. I was just sitting there wailing with no lines. I was beat after that storyline.
Women's courage is rather different from men's. The fact that women have to bring up children and look after husbands makes them braver at facing long-term issues, such as illness. Men are more immediately courageous. Lots of people are brave in battle.
It seems to me that we spend most of our spiritual energies trying to explain why the God of Elijah, Samson, David, and Paul seems to have lost His muscle in our modern age. Did He grow tired of performing heroics? Did He wax feeble after all these years of running this whole universal show? Could it be true that God has really lost His muscle? Maybe it would be more accurate to say God lost His men.
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