A Quote by Katt Williams

That is the job of a comedian: To take unpleasant subject matter and forcibly, with his hands, wring the funny out of it. — © Katt Williams
That is the job of a comedian: To take unpleasant subject matter and forcibly, with his hands, wring the funny out of it.
I have never bought into this view that some people have that the job of the comedian is to espouse opinions and change the world - I think the job of a comedian is to be funny.
I've never set out to write a funny movie or be a funny comedian as a woman. I am a woman. I don't really have a choice in the matter. My goal is just to be funny.
A comedian's body is funny as well as his mind being funny, his whole personage is funny.
I have a funny sense of humor. If I was a comedian and I was up on stage, people would think that's funny, because I'm a funny comedian. I'm an entertainer.
The blues? Why, the blues are a part of me. They're like a chant. The blues are like spirituals, almost sacred. When we sing blues, we're singing out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues. When I sing, 'I walk the floor, wring my hands and cry -- Yes, I walk the floor, wring my hands and cry,'... what I'm doing is letting my soul out.
Now a 'funnyman' can get a laugh before opening his mouth - looking funny. Lou Costello was one of your great funnymen. Harry Langdon, Larry Semon; they were all funnymen - they looked funny. W.C. Fields was never a comedian. Slim Summerville was a comedian, yet looked funny. Now if you have both attributes, you are in good shape.
Part of being a comedian is that it's your job to look at life and regurgitate it in a funny way, to point out its absurdities.
A comedian is not funny unless he is taking his demons out for a walk.
The fact is that really no comedian sets out to offend you. Some comics enjoy the challenge of taking a subject that is likely to be found offensive and trying to make it funny‚ but the object is still to make you laugh. Offense is only a calculated risk. It's highly unlikely that a comedian whose only goal was to repulse you would ever make it past an open-mic stage, far less build a long career of touring theatres and television appearances.
I think one of the major things a director has to do is to know his subject matter, the subject matter of his script, know the truth and the reality of it. That's very important.
Influence is a very unpleasant subject and I deal with it in a maybe irresponsible way, which is to really ignore it. It would be a nightmare if we started to really think about it; it would tie our hands, it would tie everyone else's hands.
Influence is a very unpleasant subject and I deal with it in a maybe irresponsible way, which is to really ignore it. It would be a nightmare if we started to really think about it; it would tie our hands, it would tie everyone elses hands.
You’re a guardian angel now.”.... I’m your guardian angel,” he said. “I get my very own guardian angel? What, exactly, is your job description?” “Guard your body.” His smile tipped higher. “I take my job seriously, which means I’m going to need to get acquainted with the subject matter on a personal level.
I take my job seriously, which means I'm going to need to get acquainted with the subject matter on a personal level.
The poet in prose or verse - the creator - can only stamp his images forcibly on the page in proportion as he has forcibly felt, ardently nursed, and long brooded over them.
I stand by everything I said. I absolutely can defend my material, and I take issue with people who say, "It's just shock value. It's not even funny." I disagree. There's different ways to be funny and to be a comedian.
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