A Quote by LP

The two years I spent solely writing for other people kind of took me away from myself. — © LP
The two years I spent solely writing for other people kind of took me away from myself.
Growing up a lonely only child prepared me for the years of solitude spent as a writer; years spent in the company of people who don't exist, imaginary people you have conversations with. It's a paid form of madness, this writing stuff.
That's kind of the nature of the profession I'm in. It's frustrating. Things don't go your way, and I was no exception, in that I spent many years struggling to get work, and there are a lot of people more talented than myself who got jobs before me. And I finally, after years and years and years, got lucky.
At forty-two, I had never done anything that took my own breath away, and I suppose now that was part of the problem--my chronic inability to astonish myself. I promise you, no one judges me more harshly than I do myself; I caused a brilliant wreckage. Some say I fell from grace; they're being kind. I didn't fall. I dove.
I've taken every writing class I've had available. I took classes in high school, and I took English and writing classes in community college, but I dropped out of college. I also attended a local writing workshop two years ago.
If you go two years without playing with confidence, when your whole life, you've been extremely confident and a hard worker... I got punched in the mouth, and it took me a while to adjust. I kind of had my confidence - I don't want to say taken away, because no one should ever be able to take your confidence away.
It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
I have this desire to just while away weeks, months and years. It took me two years to make this record but that was with me trying to condense my process and not disappear down the rabbit hole with all the cool things I've collected. I could take 10 years and not explore everything I want to with these instruments.
I took a break from acting for four years to get a degree in mathematics at UCLA, and during that time I had the rare opportunity to actually do research as an undergraduate. And myself and two other people co-authored a new theorem: Percolation and Gibbs States Multiplicity for Ferromagnetic Ashkin-Teller Models on Two Dimensions, or Z2.
In my junior year in college, I was getting kind of tired of French. So, I took an economics course, and I loved it. The rest of my two years in college I spent in economics.
I spent two years figuring out how I could turn it into something that would satisfy me as a musician but also make some kind of cross-cultural link. I feel that I kind of at least touched on the possibilities of cross-cultural music, but it is a lifetime's work, and I don't profess to be anything other than a novice at it.
In total, I have spent 35 years at Hokkaido University as a staff member - 2 and a half in the Faculty of Science, and the other 32 and a half in the Faculty of Engineering. Other than about two years of study in America and a few months in other places overseas, most of my life has been spent at the Faculty of Engineering.
I think the hardest stories we tell are always the ones about ourselves. And as a journalist, I was taught that I'm never supposed to put myself in the story. So I spent what, 11, 12 years of my life writing about other people so I don't have to face my own life.
The thing about me is, coming from an alternative music background and singing for nine years, being basically invisible, I'm so used to writing for myself - and at the end of the day, I do it because I feel like I have to. So when I'm recording or writing, I don't have other people in mind.
It took me 14 years to write 'Crazy Brave' because I kept changing the form and I also kept running away from the story. I said I don't really want to write about myself. But it's about writing about memory.
Nothing changed in my life since I work all the time," Pamuk said then. "I've spent 30 years writing fiction. For the first 10 years I worried about money and no one asked me how much money I made. The second decade I spent money and no one was asking me about that. And I've spent the last 10 years with everyone expecting to hear how I spend the money, which I will not do.
My three years in Manhattan were sort of my university years. I was learning by myself, and it was a tough time. That's when I began writing articles for newspapers back home about life in New York. This interest took over, and I moved from painting to writing.
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