A Quote by H. P. Lovecraft
I do not think that any realism is beautiful.
Related Quotes
All I want to do is realism and follow the tradition of realism. And explore what realism should be now be after the ubiquity of smartphones. I'm trying to answer the question. I don't think I'll ever have the words, but hopefully I'll have a few images.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
Scientific realism in classical (i.e. pre-quantum) physics has remained compatible with the naive realism of everyday thinking on the whole; whereas it has proven impossible to find any consistent way to visualize the world underlying quantum theory in terms of our pictures in the everyday world. The general conclusion is that in quantum theory naive realism, although necessary at the level of observations, fails at the microscopic level.
I often told the fanatics of realism that there is no such thing as realism in art: it only exists in the mind of the observer. Art is a symbol, a thing conjuring up reality in our mental image. That is why I don't see any contradiction between abstract and figurative art either.
When people use the term magic realism, usually they only mean 'magic' and they don't hear 'realism', whereas the way in which magic realism actually works is for the magic to be rooted in the real. It's both things. It's not just a fairytale moment. It's the surrealism that arises out of the real.
I think where a writer falls on the realism/non-realism continuum has a lot to do with their sight, as in, 'This is how I see the world.' And it seems my sight is off-kilter and kind of strange, but I come by that naturally; I'm not consciously pushing toward a particular point on the continuum.
There is no realism in American films. No realism, but something much better, great truth.
For real human beings, the only realism is an embodied realism.
I can't see any reason why a film shouldn't be stylized and visually beautiful. I don't think a beautiful set is pretentious.
Some of the poetic writers who insert passages of realism in their texts have no underlying philosophy to uphold them, and revert to realism.
Ideologically, I have a lot of problems with that, especially when people toss around that form of story as realism. What's called "realism" is actually highly formulaic.
Unfortunately, philosophers of science usually regard scientific realism and scientific anti-realism as monistic doctrines. The assumption is that there is one goal of all scientific inference - finding propositions that are true, or finding propositions that are predictively accurate. In fact, there are multiple goals. Sometimes realism is the right interpretation of a scientific problem, while at other times instrumentalism is.
Any first-order, substantive normative theory worth its salt will require attention to the mental states of agents in a variety of quite complex ways. But realism, being a view about the status of such normative theories, insists that the truth of any firstorder normative standard is not a function of what anyone happens to think of it.
One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real.
Yeah, but before anything, I think in 6 years somehow I've grown up to have a beautiful home, 2 beautiful stepchildren, a beautiful husband, my family is healthy and happy. I'm financially ok and I do what I love for a living. That's what I think, and I think god, how did I get so lucky.
True realism, materialist realism lies in the search for the expression of forms faithful to their content. But there is no content detached from human interest.
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