A Quote by Laurel Nakadate
I think my work is optimistic - as much as it is pathetic and funny and sad and ridiculous, at the end of the day it's about the hope that something will go right, and the constant wishing for a world where things might start to make sense.
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On that night after Phoebe had given her Pandora report, I thought about the Hope in Pandora's box. Maybe when everything seemed sad and miserable, Phoebe and I could both hope that something might start to go right.
The membrane between where we are right now and a very different reality, is so much thinner than we like to think. Things can go back, and things can go to the side, and things can go to places where we might not even have been on guard that they might go. I think that if there is a great gift that this [Donald Trump] election gave us, is this sort of sense of vigilance, the sense that we have to remain on guard. We have to support our free press.
I don't trust tragedies much. It's easy to make a person sad by showing him something tragic. We all recognize when sad things happen: someone dies, someone loses a loved one, young love is crushed. It's much harder to make a man laugh-what's funny to one person isn't funny to another.
When you're trading well, you have a better mental attitude. When you're trading poorly, you start wishing and hoping. Instead of getting into trades you think will work, you end up getting into trades you hope will work.
As a human being, as you go through the course of your day, you might wake up with the shittiest day, and by noon something f - king historically funny happens around the water cooler, and you're about to fart yourself you're laughing so hard. And then you might have to think about something seriously for a minute.
It's kind of a funny world we live in today with tabloids and all. I feel there's so much negativity out there and people sense that people only want to read things that either are controversial or negative, therefore you end up dealing with people lying about your life and having to answer to things that become ridiculous with an onslaught of lies and you have to answer to them.
I will go to my grave wishing that I did more. Wishing that I didn't sleep as much. Wishing that I didn't waste so much time. Wishing that I fought harder.
Let the message go out - a new generation has taken charge of Labour which is optimistic about our country, optimistic about our world, optimistic about the power of politics. We are optimistic and together we will change Britain.
I'm quite optimistic. I'm also a realist. And I hope, you know, things work out. I don't think that the world will ever know peace. Complete peace in all countries. I think perhaps that's not in our makeup to do this although we can pray for it and work for it. But I think that the building blocks of peace are moving into shape, and I think that the world is going to be a better place.
I think my movies aren't sentimental. I think my movies are funny and sad and realistic. Not realistic in the sense that they're documentaries, but realistic in the sense that they're not idealistic, they're not optimistic, not pessimistic, and not propagandistic. They're an analysis of a situation. I call it as I see it, so to speak.
Everyone will always have ideas about how to make your work better. Everyone has advice about how to end your play differently. Start it differently. And it's not about right or wrong. At the end of the day, it's your baby, and you know what's best.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
My friends seem to think that an hour and a half effort a day is all they need to bring to the altar to make things work for them. I couldn't do that. I thought that if you didn't work at least as hard as the guy who runs a gas station, then you had no right to hope for achievement. You certainly had to work all day, every day.
Humans are ridiculous. We're all pathetic strivers who will fall short. If you can accept that, it's optimistic because you can shoot for the moon and know you're never going to get there, and that's OK.
You start to think in terms of making an album that might be greater than the sum of its parts. It's sort of like having a lot of footage and then editing it into something that will make sense to a viewer, you know. Sometimes it might involve even working on an older song that might complete that picture.
Hope, to me, is wishing for something good to be true. I believe it is inherent in all of mankind to hope, not because we need to escape where we are, but because we have souls - and those souls were made for something greater than this world. I write about it so often because I think it compels us all. I want to make songs that people at any intellectual level can feel stirred by. Hope is the basest of human feelings to me, the feeling that all emotion springs from.
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