A Quote by Lionel Hampton
It's always Jazz. You can put a new dress on her, a new hat, but no matter what kind of clothes she's the same old broad.
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He ought to buy her a new dress. She would never accept it, of course, but maybe if her current garments were accidentally burned... ...But how could he manage to burn her dress? She'd have to not be wearing it, and that posed a certain challenge in and of itself.
The universal nature has no external space; but the wondrous part of her art is that though she has circumscribed herself, everything which is within her which appears to decay and to grow old and to be useless she changes into herself, and again makes other new things from these very same, so that she requires neither substance from without nor wants a place into which she may cast that which decays. She is content then with her own space, and her own matter, and her own art.
He knew why he wanted to kiss her. Because she was beautiful. And before that, because she was kind. And before that, because she was smart and funny. Because she was exactly the right kind of smart and funny. Because he could imagine taking a long trip with her without ever getting bored. Because whenever he saw something new and interesting, or new and ridiculous, he always wondered what she'd have to say about it--how many stars she'd give it and why.
I love vintage clothes. I have a real passion which probably comes from the days of my mum who had this great dress up box that she put all her clothes from the 60s and 70s in - platform shoes and jumpsuits and boots.
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
Divorces are getting so common that a woman I know doesn't bother getting a new marriage license. They just punch her old one and give her a transfer. You can't teach an old dog new tricks - so she keeps changing dogs.
I lived with Ilana Glazer of 'Broad City.' She was my roommate for a year and a half. I was living with her just as she was creating and filming 'Broad City.' Both of us, and a lot of my friends, come from the Upright Citizens Brigade theater either in New York or L.A.
My wife changes the way that I dress. She makes me dress nicer than I want to dress. I feel like I perpetually dress like a 14-year-old boy, and she makes me stand up straight and wear clean clothes.
If you want to be a new man you have to stay in new places, and do new things, with people who never knew you before. If you go back to the same old ways, what else can you be but the same old person?
Coco Chanel really wanted to have freedom of a man, and at first the only way she could find that freedom was through the clothes. They freed her movement; she got rid of the corset. This imposed her not as a decoration but as a real personality. She invented a new way of seductions through these clothes.
I saw a new world coming rapidly. More scientific, efficient, yes. More cures for the old sicknesses. Very good. But a harsh, cruel, world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go.
I defy anyone to design a hat, coat or dress that hasn't been done before...The only new frontier left in fashion is the finding of new materials
My grandmother lived to 104 years old, and part of her success was she woke up every morning to a brand new day. She said every morning is a new gift. Her favorite hobby was collecting birthdays.
I think you ought to let me take poor Tessa into town to get some new clothes. Otherwise, the first time she takes a deep breath, that dress will fall right off her." Will looked interested. "I think she should try that out now and see what happens.
I have always loved jazz music and as a teen growing up in New York City and then later on as an adult have great memories of the jazz clubs that were all located on 52nd Street. I still catch as many jazz shows as I can when I am in New York. And when I perform, I have my jazz quartet by my side. Jazz musicians keep things spontaneous and very "live," which is the way I like to perform.
Cities need old buildings so badly it is probably impossible for vigorous streets and districts to grow without them.... for really new ideas of any kind--no matter how ultimately profitable or otherwise successful some of them might prove to be--there is no leeway for such chancy trial, error and experimentation in the high-overhead economy of new construction. Old ideas can sometimes use new buildings. New ideas must use old buildings.
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