A Quote by Lionel Shriver
Jonathan Lethem's 10th novel, 'The Blot,' is engaging, entertaining, and sharp for its first two-thirds. Then it goes to hell.
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When you live in Brooklyn, if you throw a rock, you'll hit a writer - Jonathan Safran Foer, Jonathan Lethem, Paul Auster.
People don't realize that almost two-thirds of the population in the United States lives in a state where either medical or recreational marijuana are now legal. Two-thirds of the country. I am looking at it as kind of a 10th Amendment, states'-rights issue.
When I'm writing, I won't know whodunnit until maybe two thirds of the way through. Until then, I know as little as my detective. I just make it up as I go along. It's nerve-wracking, actually. You'll be half through and not know your conclusion. You worry one of these days the ending won't come. I'll be left with only two-thirds of a novel.
The most basic organizing principle was pretty straightforward, and is frankly pretty common: the shorter of what are by my lights the two most engaging stories goes first, the longer of the two goes at the end, and everything else goes in the middle.
The whole first two-thirds of the I Just Can't Stop Loving You song is just he and I. He's singing lead and I'm doing all the harmonies and we're both singing all the background. We're singing all the choruses until the choir comes in. We were the first two-thirds of the song.
How would Jonathan Lethem have obtained such a stellar endorsement for 'The Fortress of Solitude' from Michael Chabon, if not for the years they spent ghostwriting 'MAD' magazine fold-ins together?
If a film is entertaining, it will work irrespective of anything. It should be entertaining and engaging; otherwise, it becomes a documentary.
It's really cool to get these guests on the show BoJack Horseman: not just actors, but, "Can I get Jonathan Lethem on my weird talking horse cartoon show to talk about how growing up in Brooklyn, he always dreamed of being a ringtone?"
I point out the Democratic party won two world wars and beat the depression, cut out the poverty by two thirds, and was responsible for the same sustained prosperity that we've had in the United States. What the hell do we have to apologize for?
Jonathan Lynn is one of the last actors Orsen Welles used in a production. It was wonderful. He's very sharp, very sharp. It's funny I've been asked how weird it was to have a Brit do a church gospel movie.
Jonathan Lynn is one of the last actors Orsen Welles used in a production. It was wonderful. He's very sharp, very sharp. It's funny I've been asked how weird it was to have a Brit do a church gospel movie
The best parts about writing a show are [its] first, second and 10th anniversaries. Everything else is relative levels of hell.
No writer, I believe, should attempt a novel before he is thirty, and not then unless he has been hopelessly and helplessly involved in life. For the writer who goes out to find material for a novel, as a fishermen goes out to sea to fish, will certainly not write a good novel. Life has to be lived thoughtlessly, unconsciously, at full tilt and for no purpose except its own sake before it becomes, eventually, good material for a novel.
It's funny when I look at my life; my primary school was two-thirds male to one-third female. So I started my life that way. I have two brothers. And when I did Harry Potter, the ratio was more often than not, at the very least, one-third female, two-thirds male.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
In a sprint you make 100 decisions a second. What if X goes now and Y goes then? Should I take this gap or that one? You have to be sharp. Over time it becomes instinct.
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