A Quote by Lionel Shriver

For storytellers, financiers make ideal rogues. The easiest way to make characters unappealing is to make them rich - shorthand for spoiled, picky, superior, and cold-hearted.
People are much more complicated in real life, but my characters are as subtle and nuanced as I can make them. But if you say my characters are too black and white, you've missed the point. Villains are meant to be black-hearted in popular novels. If you say I have a grey-hearted villain, then I've failed.
Writing is not the easiest way to make a living. Your work long hours, usually all by yourself. It is not a way to make money.
The easiest way for readers to connect with characters and feel sympathy is to make the character entertaining, sympathetic and likeable.
The true end of education is not only to make the young learned, but to make them love learning; not only to make them industrious, but to make them love industry; not only to make them virtuous, but to make them love virtue; not only to make them just, but to make them hunger and thirst after justice.
You make decisions and choices, and you're never going to know if they're the ideal choices, but you make them and you make the most of them.
I love it when characters surprise you, just like real people. When I write a scene I just try to make the characters behave in a way that feels natural to them. Sometimes that means they make a left turn and do something unexpected. Those are always the best scenes in my opinion.
My target is to make the players as rich as possible within the financial constraints of the club. My target is not to give them less money. I'm happy to make them rich.
I'm not too picky. I'm not waiting, sitting around for the ideal and perfect role. I like to work, so I try to make the best of whatever opportunity comes up.
I'm sure that any current or past player of mine would tell you that the balls we practice with are as bad as they can be: wet, sticky, cold, slippery. However bad we can make them, I make them. Any time that players complain about the quality of the footballs, I make them worse and that stops the complaining.
Take a bunch of little kids to the beach and they all make art. Adults are too stupid to call it art, but it is art. They'll use their imaginations, make drama, make up characters, make pictures in the sand, they'll make up songs that no one's ever heard before. All kids, I think, are creative, but they get it pounded out of them in school.
As Christians, I challenge you. Have a great aim - have a high standard - make Jesus your ideal...make Him an ideal not merely to be admired but also to be followed.
I want to try not to repeat myself. But then I seem to do it continuously in my films. It's not something I make any effort to do. I just want to make films that are personal, but interesting to an audience. I feel I get criticized for style over substance, and for details that get in the way of the characters. But every decision I make is how to bring those characters forward.
I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers.
I felt so much when I was fifteen, sixteen, seventeen, I felt everything. I didn't understand [myself], I was so happy yet so angry and sad. That was the point when I realized that I needed to tell stories and make characters come alive and I needed to make people cry, and make people angry, and make people happy, and make them laugh.
I find that the only way to make my characters really interesting to children is to exaggerate all their good or bad qualities, and so if a person is nasty or bad or cruel, you make them very nasty, very bad, very cruel. If they are ugly, you make them extremely ugly. That, I think, is fun and makes an impact.
The first thing I heard when I got in the business - not from my mentor - was, 'Bulls make money, bears make money, and pigs get slaughtered.' I'm here to tell you I was a pig. And I strongly believe the only way to make long-term returns in our business that are superior is by being a pig.
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