A Quote by Lana Condor

I loved working with Janel Parrish and Anna Cathcart. — © Lana Condor
I loved working with Janel Parrish and Anna Cathcart.

Quote Topics

Being Adam Parrish was a complicated thing, a wonder of muscles and organs, synapses and nerves. He was a miracle of moving parts, a study in survival. The most important thing to Adam Parrish, though, had always been free will, the ability to be his own master. This was the important thing. It had always been the important thing. This was what it was to be Adam.
It was nothing, but it was Adam Parrish's nothing. How he hated and loved it. How proud he was of it, how wretched it was.
It's a tough business. To my parents or to their friends, I was not a success, but to me I was a huge success. I was having a blast. I was working on shows I loved, I was working with actors I loved, and I was making a living as an actor. And I loved every second of it.
I can speak for myself personally, I loved ECW. I loved everything about it. I loved the crew, I loved the fans, the style, working there.
I read the novel 'Miracle at St. Anna' when it was first released, and I loved it.
It is natural to want to forget, Anna, when everyday is a brimful of sadness. But those souls also forgot those that they had loved. You do not want that, surely? I have heard some preach that God wants us to forget the dead, but I cannot believe so. I think He gives us precious recollections so that we may not be parted entirely from those He has given us to love. You must cherish your memories of your babes, Anna, until you see them again in Heaven.
I'm proud of 'Miracle at St. Anna' and I loved it; there's no question in my mind it's as good as any movie that came out in 2007.
It was a lot of pressure, but I loved working with Tim and I loved working with Adrian.
I knew Anna Wintour was the editor in chief of Vogue,' I just didn't understand what it meant to wait around to meet with Anna Wintour.
Love. The reason I dislike that word is that it means too much for me, far more than you can understand." - Anna Karenina {Anna Karenina}
I wasn't a person who hated working. When I was working and training, I loved it. I loved that I had to work that hard. I think it transformed into the gym and then transformed into the octagon. It was a good thing.
I loved working on 'Murphy Brown,' and I loved working on 'Monk.'
I loved working with Renoir on 'The Southerner.' Oh, I loved it! I particularly loved when he had a scene with a cow going through a garden, and he wanted a little dog to come and bark at it and chase it out.
During 'Anna Christie,' the biggest challenge I had was working with my daughter and sort of not stopping and asking an audience member for a camera to record the moment.
My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.
In Jenny Offill's remarkable first novel, 'Last Things,' 7-year-old Grace Davitt watches her mother, Anna, descend into madness and tries to make sense of the claustrophobic world that Anna has created for her.
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