A Quote by Larry Gelbart
I love to play with language; make it do tricks, turn a word inside out to see if it's got a hidden meaning tucked away somewhere, or perhaps find that it's capable of an extra entendre or two. . . . Plotting is nothing I did, or do, naturally. It is the hardest part of the writing process. No matter how many times you plot a script successfully, the next one, representing new and uncharted territory, convinces you that you really don't know how to do it at all.
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Away
Capable
Did
Extra
Find
Got
Hardest
Hardest Part
Hidden
Hidden Meaning
How
How Many Times
Inside
Know
Know How
Language
Love
Make
Many
Matter
Meaning
Naturally
New
Next
Nothing
Out
Part
Perhaps
Play
Plot
Plotting
Process
Really
Representing
Script
See
Somewhere
Successfully
Territory
The Next One
Times
Tricks
Tucked
Turn
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Uncharted
Uncharted Territory
Word
Writing
Writing Process
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I don't really know how writing process happens, how these songs are arrived at. One of the things I like about the writing process is, I don't necessarily know where it's going, and even if I think I know where it's going, it'll turn out different. I find that exciting and rewarding.
Most of us lead far more meaningful lives than we know. Often finding meaning is not about doing things differently; it is about seeing familiar things in new ways. When we find new eyes, the unsuspected blessing in work we have done for many years may take us completely by surprise. We can see life in many ways: with the eye, with the mind, with the intuition. But perhaps it is only those who speak the language of meaning, who have remembered how to see with the heart, that life is ever deeply known or served.
I did not know that history is like a blood stain that keeps on showing on the wall no matter how many new owners take possession, no matter how many times we pint over it.
No matter how many awards you've won or how many sales you've got, come the next book it's still a blank sheet of paper and you're still panicking like hell that you've got nothing new to say.
When I am writing, I am trying to find out who I am, who we are, what we're capable of, how we feel, how we lose and stand up, and go on from darkness into darkness. I'm trying for that. But I'm also trying for the language. I'm trying to see how it can really sound.
I know as a writer how valuable a tool is the wastebasket. Perhaps God throws away many experiments before He finds the right expression. Perhaps we are the discards - or we could be the part He keeps. This mystery is what keeps us all going, to see what happens in the next chapter.
I've been fortunate to be on two teams that have won the World Series. I've had a chance to go through that and see how much fun it is and the memories you make going through that process. No matter how many times you do it, you're always going to have an itch to do that again.
Now, I think of my writing as having two foundations: entertainment and meaning. The meaning portion is really me trying to answer my questions. The entertainment aspect of it is how I make a story that can make people turn the pages.
Many people say, "Well, I'd love to make a decision like that, but I'm not sure how I could change my life." They're paralyzed by the fear that they don't know exactly how to turn their dreams into reality. And as a result, they never make the decisions that could make their lives into the masterpieces they deserve to be. I'm here to tell you that it's not important initially to know how you're going to create a result. What's important is to decide you will find a way, no matter what.
No matter how many people try, no matter how many fancy songwriters in Los Angeles try to break it down to a formula... to an extent, there isn't a science to writing great songs, I suppose. For me, it's always about melody - it doesn't matter what genre of music you're writing, if there's a strong melodic thing somewhere, whether that's in a vocal or in a guitar part or a sample. Something that sticks in your brain, that seems to be something that works.
They say when you reach a crossroad or a turning point in life, it really doesn't matter how we got there, but it's what we do next after we got there. Usually you arrive there by adversity, and then it is then and only then that we find out who we truly are and what we're truly made of. It's a process, a gift and a journey, and if we can travel it alone, although the road may be rough at the beginning, you find an ability to walk it. A way to start fresh again. It's neither a downfall nor a failure, but a new beginning.
How many times have you said, 'This is it. I've finally found my one true love'? And how many times has the reality turned out differently? Paperback romances and fairy tales promote an ideal of a first and only love, but few of us can claim to have had such uncomplicated good fortune. For most people, the process of finding the perfect partner is one trial and error: breakups, makeups, missed opportunities and misunderstandings. Human love is a fragile creation, and sometimes the smallest thing - the wrong choice of words or a single clumsy gesture - can make love shatter, stall or fade away.
It was always very important for us that we presented ourselves as a band, because it's a three-part writing process and it's a three-part decision making process, it's not two producer guys and a girl that sings the songs. It's startling how many people make that assumption.
Going into editing when I got to New York was part of that. I guess I just kind of wanted to know as much as possible. But I have a real love of the whole process, from start to finish. So right now, I fit into the acting part of the process, but I wouldn't rule anything out. I'm enamored with how the whole thing works.
Because we don't know when we will die, we get to think of life as an inexhaustible well. Yet everything happens only a certain number of times, and a very small number really. How many more times will you remember a certain afternoon of your childhood, an afternoon that is so deeply a part of your being that you can't even conceive of your life without it? Perhaps four or five times more, perhaps not even that. How many more times will you watch the full moon rise? Perhaps 20. And yet it all seems limitless.
The first thing I did in the studio was to want to tear that camera to pieces. I had to know how that film got into the cutting room, what you did to it in there, how you projected it, how you finally got the picture together, how you made things match. The technical part of pictures is what interested me. Material was the last thing in the world I thought about. You only had to turn me loose on the set and I`d have material in two minutes, because I`d been doing it all my life.
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