A Quote by Larry Coryell

John Stowell plays jazz, but he doesn’t use any of the clichés; he has an incredible originality. John is a master creator. — © Larry Coryell
John Stowell plays jazz, but he doesn’t use any of the clichés; he has an incredible originality. John is a master creator.
In the age of mediocrity and clones, John Stowell's uniqueness and originality are a breath of fresh air. I love playing with him.
My opinion is that we have, in the person of Da Free John, a Spiritual Master and religious genius of the ultimate degree. I assure you I do not mean that lightly. I am not tossing out high-powered phrases to 'hype' the works of Da Free John. I am simply offering to you my own considered opinion: Da Free John's teaching is, I believe, unsurpassed by that of any other spiritual Hero, of any period, of any place, of any time, of any persuasion.
When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, 'Hey you, Step Brother!'
When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, "Hey you, Step Brother!"
John Brown was the abolitionist to end all abolitionists. People thought he was crazy. He was like John Coltrane playing free jazz, exhausting all possibilities in his approach to harmony and improvisation.
In 'Windtalkers,' the director John Woo is meticulous in melding his own intimate style into the cliches of a large-scale war movie, paying homage to all the tired conventions of the genre. But it's an honor that these cliches don't deserve.
I never have really become accustomed to the 'John.' Nobody ever really calls me John... I've always been Duke or Marion or John Wayne. It's a name that goes well together, and it's like one word - John Wayne.
My father is a jazz musician, so I grew up hearing jazz. My parents loved it, but I didn't like it. It went on for too long. Yes, I had certain teachers that really inspired me, like Danny Barker, and John Longo. And I had no idea that I would have any impact on jazz.
John Cryan and I worked together at UBS, and I think John is one smart, hardworking individual, and I wouldn't bet against John. I wish him well.
Peter must have thought, "Who am I compared to Mr. Faithfulness (John)?" But Jesus clarified the issue. John was responsible for John. Peter was responsible for Peter. And each had only one command to heed: "Follow Me." (John 21:20-22)
I think John Williams, him and his team, have been incredible orchestrators. By that, I mean how he chooses which instrument plays which note.
My debut film, 'Madras Cafe,' is a political thriller in which John Abraham plays an army officer. My character's name is Ruby Singh, and I play John's wife, with all the strappings of an army man's wife.
John Huston was a superb master. He knew how to make good films. I did three things with him. One is called Independence. It plays in Philadelphia, for free. It's been playing there for 25 years.
John [Coltrane] was like a visitor to this planet. He came in peace and he left in peace; but during his time here, he kept trying to reach new levels of awareness, of peace, of spirituality. That's why I regard the music he played as spiritual music -- John's way of getting closer and closer to the Creator.
John Carmack, who has become interested in focusing on things other than game development at id, has resigned from the studio. John’s work on id Tech 5 and the technology for the current development work at id is complete, and his departure will not affect any current projects. We are fortunate to have a brilliant group of programmers at id who worked with John and will carry on id’s tradition of making great games with cutting-edge technology. As colleagues of John for many years, we wish him well.
The Secret Revelation of John opens, again, in crisis. The disciple John, grieving Jesus' death, is walking toward the temple when he meets a Pharisee who mocks him for having been deceived by a false messiah. These taunts echoed John's own fear and doubt.
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