A Quote by Larry Wilmore

Every television show is sentenced to death - time and date of execution unknown. — © Larry Wilmore
Every television show is sentenced to death - time and date of execution unknown.
It's unknown the place and uncertain the time where death awaits you; thus you must expect death to find you, every time, at every place.
We all know our dates of birth but . . . every year there is another date that we pass over without knowing what it is but it is just as important it is the other date the death date.
Every time I go on stage, it's like a first date. I put on my best clothes, shave, and get as handsome as I can. Then I say the cutest things I know to say, and I become the very best Bill Medley I can be because I want to win my date over. My audience is the date that I want to impress every time.
Of one thing, however, I am certain. Just as an execution without adequate safeguards is unacceptable, so too is an execution when the condemned prisoner can prove that he is innocent. The execution of a person who can show that he is innocent comes perilously close to simple murder.
If after I die, people want to write my biography, there is nothing simpler. They only need two dates: the date of my birth and the date of my death. Between one and another, every day is mine.
My favorite television show of all time is 'Hill Street Blues.' I think it's the show that is to television what Pele was to football or Muhammad Ali was to boxing.
Look at every show on television; it's derivative of another show that came before it. It was only a matter of time. So all you 'Mentalist' fans, it's okay to like the show, but don't be in denial of where it came from. Friday nights, U.S.A., basic cable-style baby.
He had no conscious knowledge of death, but like every animal of the Wild, he possessed the instinct of death. To him it stood as the greatest of hurts. It was the very essence of the unknown; it was the sum of the terrors of the unknown, the one culminating and unthinkable catastrophe that could happen to him, about which he knew nothing and about which he feared everything.
You've got a born date and you've got a death date. In between that time, how are you going to make the most out of it?
It's funny: All my friends back home are always wondering why every television show I'm on is a drama, but all the comedy pilots I did died a slow and painful death.
The way television works is that directors come in and out, and they're not there all the time, following every character through every scene. They're vagabonds who go from one show to another.
How do people come up with a date and a time to take life from another man? . . . Twelve white men say a black man must die, and another white man sets the date and time without consulting one black person. . . . They sentence you to death because you were at the wrong place at the wrong time, with no proof that you had anything at all to do with the crime . . . . Yet six months later they come and unlock your cage and tell you, We, us, white folks all, have decided it's time for you to die, because this is the convenient date and time.
If watching television doesn't hasten death, it surely manages to make death very inviting; for television so shamelessly sentimentalizes and romanticizes death that it makes the living feel they have missed something - just by staying alive.
You are not going to be lost when you get to hell. If you are without Christ, you are lost right now. Your trial is already over. You've already been sentenced. You're just waiting for execution morning to roll around.
What will be left of all the fearing and wanting associated with your problematic life situation that every day takes up most of your attention? A dash, one or two inches long, between the date of birth and date of death on your gravestone.
I'm using the death penalty to keep Alabama family safe from the most violent criminals, why? It's because it works. Recent studies have said that every time an execution is carried out in the United States, up to 75 murders are prevented the next year.
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