A Quote by Larry Wilmore
Maybe I'll write an episode of 'Black-ish' about a guy being fired in late-night.
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I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
No one knows ish about ish, though some ish does get much closer to the real ish.
I write best late at night, when everyone in the house has gone to bed. There's something magical about that late night silence that appeals to me.
I never wanted to be in the late-night talk show wars, and I think somehow with 'Totally Biased,' I got caught up in all that. Suddenly, there are articles about how we finally have a black voice in late-night.
The guy who runs Big Day Out doesn't like us for some reason; I don't even know why. We do all the other festivals, and we enquired about it. Who knows, maybe he'll eventually crack, but maybe not. We're just going to keep knocking on his door late at night saying, 'Come on, dude!'
I've never bothered about my color. I never had that thing about being black. If the whole world was like that, maybe there would be more harmony and love. Maybe. I don't have a problem with being black in a white country or being with my people.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
A guy and a girl can be just friends, but at one point or another, they will fall for each other... maybe temporarily, maybe at the wrong time, maybe too late, or maybe forever.
The only thing that I would say to anyone doing late night shows is - it took me a couple years then - but when you leave the studio, it's over. That's what you really have to do. After a long time, I would be like, "Maybe I shouldn't have said this," or "Maybe I shouldn't have shown this." But eventually, I got to, "Ah, f - k it." That's what it was that night, tomorrow's the next night.
If you're on TV regularly, doing a thing regularly, whether you're Anthony Anderson on 'Black-ish' or Don Lemon, an hour a night, you have to turn into, 'What's the delivery system through which I can deliver information?' I don't mean they are being fake or that they are doing something that's disingenuous.
My agent said that every Monday after an episode of 'Entourage,' at the staff meeting at the agency, that's all they do is talk about the episode the night before.
'Drag Race' has become a staple of modern television for the way it skewers expectations and attitudes about gender, much as a show like 'black-ish' works to challenge stereotypes about black families in America.
A lot of black actors will sit there and go, 'Every role is about being a gangster' - then they get an opportunity to write a script and they write about a gangster. You know... write about a superhero.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
I always thought it would be funny to have the Parents Television Council write an episode of 'Family Guy' and give them full creative control. Then see how good the episode is. That's something we've actually discussed in the writers' room. We haven't proposed it yet, but if somebody from the PTC reads this, it might be worth discussing.
That's what being nervous and sort of out of your comfort zone does. It's the same in "The Office" when a black guy comes to the office and all he thinks is `I better show this guy I'm not a racist.' So what does he do? Only talks about black issues.
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