A Quote by LaTanya Richardson
Our joy was to do theater. And in some theaters, the only pay we got was tokens for carfare.
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The Globe is a missing monument. There's no existing example of a theater from Shakespeare's time. You have Roman theaters, Greek theaters, all kinds of theaters, but none in which the plays of Shakespeare, Ben Jonson and Marlowe were performed. Scholars feel that it would be of immense value to have one.
I would not change very much about the American theater. I marvel and rejoice in the way the country's regional theaters have formed a network that has become, in essence, our National Theater.
Young people have got to start their own theaters, really. All good theater is a kind of mom-and-pop operation. Start your own theater.
You can't make theater happen without actors. The actor is the central ingredient in making theater happen. Audiences may come to theaters to see the work of stage managers, directors and producers, but the only people who can communicate theater magic to audiences, through ideas and emotions, are the actors. They are the only ones who can communicate this by themselves, and if necessary, they can get along without you. But you can't make theater without the actor.
My uncle Les Dolliver was a partner with the Nasser brothers, who owned a string of theaters in San Francisco, and also supplied motion picture projectors and seats for theaters. So I was always around theater people.
You and I were created for joy, and if we miss it we miss the reason for our existence. If our joy is honest joy, it must somehow be congruous with human tragedy. This is the test of joy's integrity. It is compatible with pain. Only the heart that hurts has a right to joy.
Restoration is to some extent part of the digital age. These days, if you re-issue a movie in theaters or on Blu-ray, it has to be in high-quality condition: You have to restore. We plan a Paris cinema theater dedicated totally to classics. If we think there's an audience, we will release classics in theaters. People will discover that it's worth going to the cinema to see great movies of the past in perfect condition. I believe a lot in that.
You have to pay so much to see theater, even in Chicago. In the Greek theater, you didn't have to pay anything. You actually had to go, and you just sat there all day.
I was interning at a children's theater group in Kentucky - that was my first job out of college. I had jumped around a couple of regional theaters, and I was about to go back to Maine to work at a summer Shakespeare theater there. I didn't want to just jump around the country from gig to gig. I really wanted to go to a city and get involved in a theater scene and a theater community.
I started working in New York City as an actor and did many plays. I did regional theater, smaller theaters, children's theater.
You pay to have a good time, you don't always want to pay to be schooled or sad or reminded how bad you got it. To me a movie theater ain't always the place for that.
I was working in Lexington when I recognized this actor, Michael Shannon, and I was like, 'What do you do?' He told me to get into a theater company, so I got into a theater company near my hometown. I was a carpenter there. And then I slowly got some work.
I love doing theater. Despite the fact that out of theater, film, and TV, theater is the hardest thing to do. It's the least paid, and we all have these bills that we have to pay.
We try so hard to hold onto our stuff. We call it our treasure and expect to feel joy. But in God’s economy if we want to gain, we must give up. For joy won’t ever be found in collecting treasures. Joy radiates in our life only when we share our treasures.
You don't enter the theater and pay your money to be afraid. You enter the theater and pay your money to have the fears that are already in you when you go into a theater dealt with and put into a narrative.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
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