A Quote by Loudon Wainwright III

As it turns out, three of my four kids are professional singers. And they're really interesting, good singers. — © Loudon Wainwright III
As it turns out, three of my four kids are professional singers. And they're really interesting, good singers.
I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do - and obsessive listening. I think that's the core of my work on music - has been just listening to things and listening to singers.
All you need in a successful boyband is two great singers and three okay singers and you get can away with it.
Eventually, the more I listened and became obsessed with singers, I feel like the more I realized that I had my own little thing that I could do. So this is why I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.
My favorite singers in the world have been black singers, and you can go to any church and hear the best singers in the world - and I'm a singer, and I love singing!
It's really painful when four singers are asked to sing one track, and in the end, only one of them is kept. What about the other three artists?
I have the background singers of Ray Charles, the background singers of Smokey Robinson, and the background singers of Barry White and I built a choir around that.
With my previous record deal, it'd be like, 'OK, so I have this track then, EMI - do you know any singers, maybe? Do you have any singers on your little label there?' And funnily enough, they didn't. But I prefer finding unknown singers myself anyway.
I just essentially stayed at home for three years and just learned to play as many instruments as I could and listened to as many singers as I could. Like, when I got to about 19/20, I started listening to singers. I normally just listened to bands. Now I listen to a lot of old singers, not a lot of new stuff.
I feel there are tone singers, and there are more vocal gymnastics singers. And I think that's amazing when people can do that, but I think there's room for the tone singers. And there aren't a lot of them.
Singers are definitely getting their due in Bollywood. I feel that music composers, on the other hand, tend to lose out on the popularity, fame, and success that singers usually enjoy.
Our hospital was famous and housed many great poets and singers. Did the hospital specialize in poets and singers or was it that poets and singers specialized in madness?
I really like female singers; I've got zero interest in working with male singers. Any male voice I need to do, I can do.
To me, that's when music was music. Every studio had a full symphonic orchestra and a whole bunch of singers they used on every picture. Every radio show had singers on it, and NBC and CBS had their own staff orchestras. Music was everything. And it was good music; it wasn't based on three chords.
I've never associated myself with other singers, certainly not female singers.
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