A Quote by Laura van den Berg
Often, contrasts bring art to life: the bright speck of paint on a dark canvas; the tightrope walk between humor and tragedy.
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I like the way that Dexter mixed humor, dark humor and tragedy, in a way I don't think that I've seen another show do. To handle those tonal shifts with so much confidence. Normally, you can mix humor and dark humor, you can mix dark humor and tragedy, but to mix all three... There are just moments with Robin and Reuben, the next door neighbors, that are just funny.
A well-developed sense of humor is the pole that adds balance to your steps as you walk the tightrope of life.
Life in itself is an empty canvas; it becomes whatsoever you paint on it. You can paint misery, you can paint bliss. This freedom is your glory.
San Francisco is a breathtakingly beautiful city, with lots of great contrasts between dark and light, often overlapping each other. It's a great setting for a horror story.
In high drama or high tragedy or anything, it's not really human unless there's some humor at the same time. And vice versa. So I guess I tend to gravitate towards projects which tread a dodgy tightrope between two things, which aren't really one or another.
I paint; I'm a woman but I don't paint china. The first time I got a canvas I felt free. Art is overreaction to life. I love these early drawings; they show my innocent beginnings in a small town. Life is a sentence -- you live it out. Maybe these portraits jump out at you too much. People like things that conform.
The old, sad art colors are gone. Now I paint bright colors. I paint paintings which are happy, where children are laughing and playing with animals. I paint paradise on Earth. I still paint sadness sometimes, but there is sadness in the world, too.
Sometimes, in a portrait, I go straight in with paint onto canvas... Other than riding my bike up and down the hills around here, it is the most dangerous thing I do... like tightrope-walking without a safety net!
You must walk that tightrope between accident and discipline. Accident by itself…so what? Discipline by itself is boring. By walking that tightrope and putting down something on a canvascoming from your guts, you have a chance of making marks that will live longer than you.
My philosophy is that I'm an artist. I perform an art not with a paint brush or a camera. I perform with bodily movement. Instead of exhibiting my art in a museum or a book or on canvas, I exhibit my art in front of the multitudes.
My belief is that it is most important for an artist to develop an approach and philosophy about life - if he has developed this philosophy, he does not put paint on canvas, he puts himself on canvas.
We are just a speck, on a speck, orbiting a speck, in the corner of a speck, in the middle of nowhere.
I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
If you were in a burning house and there was a cat and a Rembrandt, what would you save? The cat...you would save the cat, because the cat is alive. The art is dead. It's just paint on a canvas, ink on a page. To live for art is to deny life. It's just to destroy life.
How often does the tightrope walker balance when walking across the tightrope? All the time! It is the same thing if you really want to have a successful career, and you want to have a happy home life. It is a matter of balance.
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