A Quote by Lea Seydoux
Male directors always project their own desire of women - how they want a woman to dress, to do her hair. With a woman director, it's more a projection of herself.
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Maybe a young woman will go see a show by a woman, or starring a woman about women's issues, and that will help her get to that quiet place inside of herself where she can then explore what it means to be a woman to her.
For all the feminist jabber about women being victimized by fashion, it is men who most suffer from conventions of dress. Every day, a woman can choose from an army of personae, femme to butch, and can cut or curl her hair or adorn herself with a staggering variety of artistic aids. But despite the Sixties experiments in peacock dress, no man can rise in the corporate world today, outside the entertainment industry, with long hair or makeup or purple velvet suits.
The real trouble about women is that they must always go on trying to adapt themselves to men's theories of women, as they alwayshave done. When a woman is thoroughly herself, she is being what her type of man wants her to be. When a woman is hysterical it's because she doesn't quite know what to be, which pattern to follow, which man's picture of woman to live up to.
Women's stories are as powerful, inspiring, and terrifying as the goddess herself. And in fact, these are the stories of the goddess. As women, we know her because we are her. Each woman, no matter how powerless she might feel, is a cell within her vast form, an embodiment of her essence, and each woman's story is a chapter in the biography of the sacred feminine.
A woman caring for her children; a woman striving to excel in the private sector; a woman partnering with her neighbors to make their street safer; a woman running for office to improve her country - they all have something to offer, and the more our societies empower women, the more we receive in return.
I think Hillary Clinton has made great strides in doing so, even though there are people who want to bring us back to the '50s and still define a woman by her husband and her husband's legacy. But she has proven herself to be a force on her own and is an example to us of how women should and can be judged on their own merits.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
No woman kills herself for love, and rarely for shame. It is the cruelty of hope that does a woman in; for no matter how many men a woman has given herself to, she never holds her life cheap until she foolishly believed it to be valued.
We need to understand that there is no formula for how women should lead their lives. that is why we must respect the choices that each woman makes for herself and her family. Every woman deserves the chance to realize her God-given potential.
In domestic life, the woman's value is inherent, unquantifiable; at home she exchanges proven values for mythological ones. She 'wants' to be at home, and because she is a woman, she's allowed to want it. This desire is her mystique, it is both what enables her to domesticate herself and what disempowers her.
In domestic life the woman's value is inherent, unquantifiable; at home she exchanges proven values for mythological ones. She "wants" to be at home, and because she is a woman she's allowed to want it. This desire is her mystique, it is both what enables her to domesticate herself and what disempowers her.
Every woman hates her own body. I don't know a woman who doesn't . . . well, I do know a few who love themselves but in the case of most women it's like, "ugh." And when I dress a woman, my design intention is to give them an attitude or a grace, no matter whether it's a wedding gown or ready-to-wear.
We still live in a world in which a significant fraction of people, including women, believe that a woman belongs and wants to belong exclusively in the home; that a woman should not aspire to achieve more than her male counterparts and, particularly, not more than her husband.
Woman must write her self: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies - for the same reasons, by the same law, with the same fatal goal. Woman must put herself into the text - as into the world and into history - by her own movement.
But above everything, drink wines with love. They are like women - different, mysterious, fickle. And each wine has to be taken like a woman. This always begins with a rejection, done gracefully or rudely according to the woman's disposition, and in the end she will grant herself only to someone, who aspires her soul as well as her body. She will belong to the one, who knows how to uncover her with the utmost delicacy.
But is there any reason to believe that a woman's spiritual fibre is less sturdy than a man's? Is it not possible for a woman to come to terms with herself if not with the world; to withdraw more and more, as time goes on, her own personality from her productions; to stop childish fears of death and eschew charming rebellions against facts?
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