A Quote by Liev Schreiber
Particularly with the plays I choose, they're good parts, and they're parts that have been around long before a bad actor played them, and will be around long after I play them. Part of what I enjoy about the theatre and acting is that sense of history.
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When I auditioned actors I never make them act. I choose a long symphony, then I tell them to sit down and I play the symphony for them. Then I sit and I look at them. I always pick a piece of music that has up and downs, very dramatic parts, very quiet parts and really sensitive parts so that it can produce different emotions.
I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
The whole history of these books (i.e. the Gospels) is so defective and doubtful that it seems vain to attempt minute enquiry into it: and such tricks have been played with their text, and with the texts of other books relating to them, that we have a right, from that cause, to entertain much doubt what parts of them are genuine. In the New Testament there is internal evidence that parts of it have proceeded from an extraordinary man; and that other parts are of the fabric of very inferior minds. It is as easy to separate those parts, as to pick out diamonds from dunghills.
As an author, you think you know where the good parts and the bad parts are. And then you read to a group of children, and you learn when you're boring them, and you hurry through those sections to get to the parts where they're interested again. You start to get a sense of your story's rhythm and flow.
I take them both seriously - I don't particularly want to be an 'actor-musician.' I want to play the great challenging parts, to be right for the part, rather than just, 'Oh, he can play the fiddle.'
Part of what I enjoy about the theatre and acting is that sense of history.
Most programming languages contain good parts and bad parts. I discovered that I could be better programmer by using only the good parts and avoiding the bad parts.
I played Romeo when I was younger, and I think I did a couple kind Romeo-like parts after that, and I kind of went, 'I mustn't do this again. I must always choose something that I don't know if I'm a good enough actor to play.'
There is a palpable sense of history in the homes that I choose to occupy. I think that's one of the reasons I gravitate towards old homes: I really like that sense of history and that sense that I am one step in a very long process that trails out in both directions around me - before me and ahead of me.
There are some words that once spoken will split the world in two. There would be the life before you breathed them and then the altered life after they'd been said. They take a long time to find, words like that. They make you hesitate. Choose with care. Hold on to them unspoken for as long as you can just so your world will stay intact.
There are so many actresses I want to write for. I see them, and I think, 'Why is she not playing that lead? What's happened to that actress?' I think all I can do is to write parts for women, to say, 'Keep going, keep acting, because there are parts for you. There will be those plays.'
Ever wonder how much patience you should have with someone, you know, before you lose your temper? Infinite. But careful now. That doesn't mean you have to wait for them, stay with them, or hang around them. Lord no, it just means that for as long as you choose to keep them in your life, understanding them, not changing them, is everything.
There are good parts and bad parts and middle parts about everybody. So what I would like to be known as is someone who was true to himself and passionate about the game.
I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles, and sometimes some of them are meatier than others.
I've always been fascinated by dialects and accents. In fact, I've rarely played straight English parts. I play character parts - and always will.
At my school, which was all boys, I played almost exclusively lady parts. When I say lady parts, I mean parts that were ladies. To actually play lady parts would be weird, even by English standards.
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