A Quote by Lela Loren
I am - since I was a child - curious about everything. I like to look at how things work and why people are the way they are.
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I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?
The way a child discovers the world constantly replicates the way science began. You start to notice what's around you, and you get very curious about how things work. How things interrelate. It's as simple as seeing a bug that intrigues you. You want to know where it goes at night; who its friends are; what it eats.
I've just always been interested in how people lead their lives. How they survive in this world. I'm curious about people's damage, and navigating that and the way people forgive. I find it really interesting. That's why we have to transform on a daily basis, work on ourselves. It's work.
I walk around the school hallways and look at the people. I look at the teachers and wonder why they're here. If they like their jobs. Or us. And I wonder how smart they were when they were fifteen. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day, and how they are able to cope with having three quizzes and a book report due on top of that. Or wondering who did the heart breaking. And wondering why.
It's like, 'How can I reverse engineer what it takes to gain followers on a platform?' And I'm curious about how it works. And I'm the same way with people. I'm curious about what makes them tick.
You need to be curious one way or another as a designer. Your eye has to stay curious. I look at people and think about how they live. I think about bodies.
What I do, basically, is look at things from different angles. That is what I do on stage comedically, and that is what I do in art. I was always fascinated by the structure of things, why things work this way and not that way. So I like to see how things behave if you change the point of view.
Besides the money aspect, I guess I was curious about sex work. In the way that most people are, but also because ever since I was a teen I had read feminist writers like Dworkin and Mackinnon and the way they wrote about sex work had an enormous impact on me. Was it really as horrible as they said?
Children are notoriously curious about everything, everything except... the things people want them to know. It then remains for us to refrain from forcing any kind of knowledge upon them, and they will be curious about everything.
I've been a prima-dona. I was taken care of since I was 13. That's why I am the way I am today. I was spoiled, like a brat. I had anything I wanted. That's crazy to be that way all your life. Everybody's taking care of you, but manipulating you at the same time. Very few people have a life like that. Most people have to work like slaves their whole lives. I've never had a job in my life. What I know how to do is hurt big, tough men - in the street and off.
Those same people, when they leave the theater, when they look behind the curtains they are curious about their neighbors, they can guess if their neighbors are siblings or a couple, how old they are, what their occupation is. They are curious about each other and they can understand each other without being fed information. Why should it be different in cinema?
I am really curious about life, about why we are all here. I notice my skin is ageing, things are changing, I've seen people dying, so that's the train we are all on.
I don't love the way I look. Nobody does, and if they do, I don't want to be that person's friend. But we all know what we're insecure about. The question I had as I was writing was, 'How are these things affecting the way I live? How am I compensating because I don't like this about myself? What do I do to cover it up?'
I'd been going to the Louvre since 1951. I thought I knew Paris and the French, but I didn't really. You know how easy it is to make friends when you are traveling. People are curious about you, you are curious about them. But you never really make friends that way. After the Louvre, I discovered that I have friends now because I have enemies.
There's not one woman in America who does not care about her hair, but we give it way too much value. We deprive ourselves of things, we use it to destroy each other, we'll look at a child and judge a mother and her sense of motherhood by the way the child's hair looks. I am not going to traumatize my child about her hair. I want her to love her hair.
I’ve been thinking about that ever since. Am I lucky? Am I lucky that I didn’t die? Am I lucky that, compared to the other kids here, my life doesn’t seem so bad? Maybe I am, but I have to say, I don’t feel lucky. For one thing, I’m stuck in this pit. And just because your life isn’t as awful as someone else’s, that doesn’t mean it doesn’t suck. You can’t compare how you feel to the way other people feel. It just doesn’t work. What might look like the perfect life—or even an okay life—to you might not be so okay for the person living it.
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