A Quote by Lela Loren

I'm from Sacramento, and I have no idea what growing up in a city is like. — © Lela Loren
I'm from Sacramento, and I have no idea what growing up in a city is like.
I think the suicides in my first book came from the idea of growing up in Detroit. If you grow up in a city like that you feel everything is perishing, evanescent and going away very quickly.
I can promise you that when I go to Sacramento I will pump up Sacramento.
I can promise you that when I go to Sacramento, I will pump up Sacramento.
But I love Baltimore to death. That's my city. It's diverse and growing up there, it was just fun. Personally, I had trials and tribulations with my parents and everything like that, but that's nothing on the city.
Growing up in New York City, I'd flirted with the idea of driving, but between the subway and the sidewalks, I'd never needed to learn.
I wrote the script to 'Lady Bird,' and it really came out of a desire to make a project about home - like, what the meaning of home is, and place. I knew Sacramento very well, obviously, growing up there, and I felt like the right way to tell a story of a place was through a person who's about to leave it.
The idea of the beauty of diversity came from just growing up where I grew up. Los Angeles is a very big city - there's Little Ethiopia, Little Armenia, Little Tokyo, Chinatown, there's African-Americans, Latinos, Europeans.
Growing up in the Sacramento Valley in the '70s, we were all pretty big into cars. Of course, I had to nerd out and be a fan of Bob Tullius' Group 44 Jaguars instead of Corvettes/Camaros.
I was actually born in Sacramento, in Rocklin, which is a suburb of Sacramento. I lived there for the first 8 years of my life.
When I was growing up, we were in a high income bracket, one of the highest. I was one of the first in high school to get a car. And I didn't have to wait for it to be a graduation present, either. We've probably got one of the nicest houses in Sacramento.
I was not very strong growing up, and my uncle used to look at me, like, This kid is not growing up, he is growing tall but he can be broken like a banana.
I'd been in Sacramento a day and already noticed the pervasiveness of its homeless problem. The city seemed like California without the masks or pretense: a place where dreams were occasionally made but mostly torn apart.
I grew up in Newport, so I went to Boston growing up. The city holds a lot of special memories of my childhood, like the Swan Boats and Make Way for Ducklings.
Flint is a big, industrial city. But when I was growing up, they had the recession, lead in the water, and all this other stuff. The city was really depleted.
I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."
I never really lived outside of the city growing up, but I'm always looking in between the lines of the city, and I magnetize over to the green spots.
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