A Quote by Len Wiseman
The class warfare was in the script as well. It establishes what the world is like and what would happen if we really had two zones that were left and everybody had to survive using these two areas. What would our society to do with that set up? I wanted the state of world, in my mind, how it would actually realistically unfold. I drew that from what was in the script.
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If I had a dream it would be to think, What would it be like for everybody to have the kind of health care I had? What would that feel like? How would that be, to live in that world? Because I'll tell you, to be really, really sick, and to not have money. That is terrifying. And in my opinion, a travesty.
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
Two would actually do it- two magic words that could replace all the religions in the world- two wonderful words that embrace all the powers and all of the energy we need to survive with each other and with our planet and with all the world's living creatures- don't hurt.
I've always wondered what it would be like if the Messiah, or Christ Returned, were actually alive and living in our society; who would that person be, how we would identify them, how would they live and what would they believe in, how would society react to them? I decided to try and tell my idea of that story.
There's a rhythm to script [ in "I Don't Feel at Home in This World Anymore"], as well, especially the pacing of it. But there definitely were times when I would say something and [ Macon Blair] would say, "I didn't think to deliver it like that" or, "I didn't think it had that meaning." And he'd say, "I like it. I think it's good." So he's open. He's not battering it into you.
Certain movies like 'Wag The Dog,' we used improv on every scene that we did. Pretty much, we would shoot from the script and then some stuff that we came up with in rehearsal, and then we'd have at least one or two takes where we completely went off the script and just flew by the seat of our pants.
So we [with Kate DiCamillo] would act them out, we would toss ideas back and forth, we would laugh, we would argue. Sometimes it went really well, sometimes it was such a pain in the ass. Our other rule was that we wouldn't work on it at all when we weren't in the other's presence. It was really hard not to do that. We'd start going on email back and forth, 'What do you think about this, what do you think about that?' But, no, no, no, it had to be live. So we forced ourselves not to look at it except during those two-hour stretches when we were actually with each other.
Nothing exceptional [would happen to the world under a Hillary Clinton's presidency] - things would stay the same: sponsorship of "Color" or "Umbrella" or whatever "revolutions", some more coups, "regime changes", direct invasions, bombing, propaganda warfare against China, Russia, Iran, South Africa and what is left of the Latin American revolutions. There would be plenty of torture in "secret centers", but it would not be as advertised and glorified as it would be if [Donald] Trump were elected.
We left our homes and moved to Nashville as teenagers, and suddenly, we were on our own. We knew all we wanted to do in the world was write and sing... and the only way that would happen would be to jump, but you still get scared or sure you've done a dumb thing.
I wish I had left him as he was. I wish you had told me this would happen. (Amanda) Told you what, Amanda? That the two of you would spend the rest of your lives loving each other? Raising your kis? Neither one of you have any idea how miraculous your life is. How many people would gladly sell their souls for what you have. Forget Artemis and immortality. What you have is infinitely more previous and rare. (Acheron)
But the things is, you see, that two people can never actually become one no matter how close they are. And it would not be desirable even if it were possible. What would happen when one of them died? It would leave the other as a half a person, and that would be a dreadful thing. We must each be a whole person and therefore we each need some privacy to be alone with ourselves and our own feelings.
I've always thought the American eagle needed a left wing and a right wing. The right wing would see to it that economic interests had their legitimate concerns addressed. The left wing would see to it that ordinary people were included in the bargain. Both would keep the great bird on course. But with two right wings or two left wings, it's no longer an eagle and it's going to crash.
The criteria [to take or refuse the role] is that I would love to have some kind of dialogue or communication with the director. I need to understand that we can communicate and that we like communication. That's something I have to have a strong feeling about. Secondly, I have to find the script intriguing or interesting. I don't have to understand the whole script, but I do have to find it intriguing. If those two things are present, that would probably be a yes.
An eye-opening moment in my life, a very defining moment, was the first time I met Susan Sarandon [before shooting Thelma & Louise]. We were going to meet, just Ridley [Scott] and Susan and I, to go through the script and see if we had any thoughts or ideas. I was reading the script, and in the most girly way possible, meaning that if it was a line that could change or something different I'd like to see, I would think about each one and say, "Well, this one can wait till the set because I don't want to bring up too many things."
I wrote the show West Wing for the two years before and the two years after 9/11. Suddenly everyone in the world had been through something that our characters had not been through; the whole trajectory of the world had changed. Yet our show took place in a parallel universe. I wasn't really sure what to do about this. In no one's wildest dreams did it occur that an event like this could possibly happen.
When I was a kid, I wanted to be an explorer. I wanted to go out into deep, dark jungle somewhere and find places in the world that hadn't been discovered. But then I discovered two things. One, that most of the world had already been visited and two, that would involve encountering entirely too many, very large spiders.
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