A Quote by Lena Waithe

I'm a big believer in writing really good dialogue. — © Lena Waithe
I'm a big believer in writing really good dialogue.
I'm not a big believer in doing things unilaterally. I'm a big believer in opening up a dialogue and figuring out how we can make something work for all people.
At its best, writing is a dialogue. It's one of the things I love about children's: the fact that this dialogue is really there from the get-go, from the start of writing.
I still haven't quite caught on to the idea of writing without dialogue. I like writing dialogue, and there's nothing wrong with dialogue in movies.
You can make bad writing 'OK,' but... you really need to start with a good script and with characters that are three-dimensional and with great dialogue. It's a difficult lesson to learn because good writing is hard to come by, but it's definitely worth chasing.
I like Quentin Tarantino, especially the early films, but I'm a big fan of Billy Wilder and Preston Sturges... you know, people were writing great dialogue back then. It's as if people only have the memory of the last 15 years. So, before Tarantino no one was writing witty dialogue? That's ridiculous. Why do we have to keep referring to Tarantino?
I'm a big believer in that if you focus on good skin care, you really won't need a lot of makeup.
There's a point I can get to where I start writing character and then through the dialogue, after all of this preparation, the thing starts to feel like it's a character developing through the dialogue. A lot of character traits do come from writing dialogue, but I have to be ready to do it.
I'm a really big believer - this is not a statement about President [Barack] Obama, but whoever is president - that good policy is really important.
As an actor, you are in a unique position because you're not only memorizing dialogue but really embodying it. You naturally feel the rhythm of good writing.
As an actor, you are in a unique position because you’re not only memorizing dialogue but really embodying it. You naturally feel the rhythm of good writing.
When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking.
I think that's, it's my way of writing, it's my, it's part of you know for lack of a better word, God-given talent that I have that I'm really good at that kind of dialogue.
I never was a big believer that you can teach writing per se.
I love writing dialogue - it's when I really lose myself in my work. I love reading it, too, when it's good and rings true.
come back believer in shade believer in silence and elegance believer in ferns believer in patience believer in the rain
I like writing dialogue - I can hear my characters so clearly that writing dialogue often feels as much like transcribing something as it does like creating it.
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