A Quote by Lenny Henry
There are comics who choose to be controversial, and people have to make a judgment call. You either watch it or you don't. It's possible to be funny about anything, it just depends on how you approach it and if you've got good self-editing skills.
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I got the wake-up call that no one is policing our oceans. I wondered, how can I do anything? What really can I do to make things better? There are some perks to being a celebrity. My job is to be funny once in a while, but it's my responsibility to make good use of it.
Know how to choose well. Most of life depends thereon. It needs good taste and correct judgment, for which neither intellect nor study suffices.
Movies these days have made killers into funny people. What's that all about? I've got kids and family and friends, and I don't like bad things. I don't think they're funny, and it's irresponsible to make movies that don't show you how that's not good.
I quit comics because I got completely sick of it. I was drawing comics all the time and didn't have the time or energy to do anything else. That got to me in the end. I never made enough money from comics to be able to take a break and do something else. Now I just can't stand comics. . . . I wish my work would be recognized by a larger crowd of people as more art than be stuck with the cartoonist label for the rest of my life.
A famously wise old man in a village was once asked how he came by his wisdom. "I got it from my good judgment," he answered. And where did his good judgment come from? "I got it from my bad judgment."
Comics seldom move me the way I would be moved by a novel or movie. I say this as someone who would rather read comics than watch movies, listen to music, anything. But it's not an operatic medium. I hear other people talk about being moved to tears by comics. I can't imagine that.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
I'm not interested in saying what people should and shouldn't do. It depends on how people feel about themselves. I suppose personally if you do anything out of fear or to mask who you are, then that's a bit scary. You've got to work with what you got.
I make people laugh hard; I'm a comic, that's just the way it is. And I make them laugh because I'm funny, not because I'm filthy. The subject matter is dirty, but the pictures I paint are really funny. A lot of comics don't understand that that's what it's about. It's just, "I'll be dirty and they'll laugh." Nobody's becoming a superstar that way.
There are a lot of people in the medium who came and got into the industry and work in the industry, and these are people who were raised on comics and loved comics. Comics are their religion. To such an extent, that they don't know anything else.
I was really inspired by seeing self published zines and mini-comics: seeing someone else make work that was either really personal, or was just done entirely themselves. It really showed me what was possible for my own art, and I hope that my books will inspire readers in the same way.
It seems to us that in intelligence there is a fundamental faculty, the alteration or the lack of which, is of the utmost importance for practical life. This faculty is judgment, otherwise called good sense, practical sense, initiative, the faculty of adapting one's self to circumstances. A person may be a moron or an imbecile if he is lacking in judgment; but with good judgment he can never be either. Indeed the rest of the intellectual faculties seem of little importance in comparison with judgment.
Comics, as good as they might be, they didn't know much about performance. There aren't too many comics you could watch for an hour without getting tired. They might have good material, but it's about theater to me.
Growing up, I didn't know anything about comedy and didn't know anything about comedians or what standup was. I grew up in the projects with no dream of anything, it was in my formatting when i got older and started talking to my friends about how I felt, they would be like, "dude, that's funny." Then one day my friend was like, "Dude, you don't understand how funny you are, you need to do standup"!
The people that choose to face life, the people that choose to embrace it, the people that choose to just soak it up, the people that choose to dive right in and test their limits and find out what they're capable of and how good they can be and if that's really what they want to do, victims are gonna hate them because they are showing what anybody could do if they just had an attitude adjustment.
How you approach the problem of suffering depends on how you approach life itself. There are only two ways. Either meaning is surrounded by matter, or matter is surrounded by meaning.
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