A Quote by Lennie James

I particular enjoy the crime writer, Walter Ellis Mosley. He does a series of Chandler-esque detective stories. — © Lennie James
I particular enjoy the crime writer, Walter Ellis Mosley. He does a series of Chandler-esque detective stories.
Walter Mosley was not the first black crime writer, nor was he the first to fuse genre conventions with larger social concerns. But when 'Devil in a Blue Dress' introduced the Los Angeles-based private detective Easy Rawlins nearly 20 years ago, it was clear the author set out to stretch the boundaries of the mystery and thriller framework.
I love Walter Mosley and Robert Parker crime novels. And I read a lot of music reviews.
My father taught me to love detective fiction writers such as Raymond Chandler. When I decided to have a hard-boiled detective series I did a lot of studying before I wrote the first book. I learned police procedure, the California criminal law, and many areas outside my expertise.
Occasionally, I have written about stories related to crime, but I have never attempted a traditional detective story. So I want to write a true detective story.
I don’t think I would ever want to be a writer of detective stories - but I would like to be a detective and there is a large deal of detection in the short story.
There's many things that I am. And all of those things come together at some point. If somebody wants to limit me, you know and they'll say, 'Well, this is Walter Mosley, the mystery writer.' I don't like that. Because I do many things.
I read a lot of detective stories because they always deliver. They give you a beginning, a middle, and an end - a resolution. The modern novels I read don't always deliver because I'm looking essentially for a story. As in Shakespeare, "The play's the thing." In particular I read detective stories for pacing, plot and suspense.
I grew up on the crime stuff. Spillane, Chandler, Jim Thompson, and noir movies like Fuller, Orson Welles, Fritz Lang. When I first showed up in New York to write comics back in the late 1970s, I came with a bunch of crime stories but everybody just wanted men in tights.
The British Union of Fascists, Oswald Mosley`s group, the black shirts, they were banned in Britain in 1940. And Max Mosley`s dad, Sir Oswald Mosley, ended up spending three years in World War II, 1940 to 1943, interned in the U.K. as basically an enemy of the state. He spent that time in prison, as did Max Mosley`s mother.
I have always felt a little bit uncomfortable with question [why I'm write these stories]. It's not a question that you would ask a guy that writes detective stories or the guy that writes mystery stories, or westerns, or whatever. But it is asked of the writer of horror stories because it seems that there is something nasty about our love for horror stories, or boogies, ghosts and goblins, demons and devils.
If you ask people if they enjoy crime novels, they'll say, 'Oh, my guilty pleasure is...' then name a really brilliant crime writer.
I would like it to be said that I was a good writer of detective and thriller stories.
I definitely have an affection for detective fiction, and when I first read Dashiell Hammett's 'The Maltese Falcon,' that book and its author made an enormous impression on me as a reader and a writer, and led me to other hard-boiled American writers like Raymond Chandler and Ross McDonald, among many.
The great thing about detective stories, in particular, the case can always be interesting as well as the characters.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
As a professional writer of detective stories, I string along with the ballplayers. I love a ball game.
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