A Quote by Leo Buscaglia
My mother made soft polenta often, and as a child, I would watch her stir until she looked like her arm would fall off.
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She had a bracelet on one taper arm, which would fall down over her round wrist. Mr. Thornton watched the replacing of this troublesome ornament with far more attention than he listened to her father. It seemed as if it fascinated him to see her push it up impatiently, until it tightened her soft flesh; and then to mark the loosening—the fall. He could almost have exclaimed—'There it goes, again!
At the door , she made him promise to go without goodbyes .She closed the door on him . Laila leaned her back against it , shaking against his pounding fists , one arm gripping her belly and a hand across her mouth , as he spoke throughout the door and promised that he would come back for her . She stood there until he tired , until he gave up , and then she listened to his uneven footsteps until they faded , until all was quiet , save for the gunfire cracking in the hills and her own heart thudding in her belly , her eyes , her bones .
As a child, Kate hat once asked her mother how she would know she was in love. Her mother had said she would know she was in love when she would be willing to give up chocolate forever to be with that person for even an hour. Kate, a dedicated and hopeless chocoholic, had decided right then that she would never fall in love. She had been sure that no male was worth such privation.
Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.
She looked at a silver birch: it would have a soft, showery voice and would look like a slender girl, with hair blown all about her face and fond of dancing. She looked at the oak: he would be a wizened, but hearty, old man with a frizzled beard and warts on his fact and hands, with hair growing out of the warts. She looked at the beech under which she was standing. Ah! --she would be the best of all. She would be a gracious goddess, smooth and stately, the Lady of the Wood.
Her little fists pummeled at him, and he accepted the abuse. Until he realized she’d made an improper fist and was actually hurting herself. He wound an arm around her waist, spun her and slammed her into the hard line of his body to still her. “Let me go!” “In a minute.” As she struggled, he pulled her thumb out from beneath her fingers and rearranged her fist. “Hit like this.” Done, he released her.
A teenage girl lay asleep on the sofa, curled up under a red-and-black knitted afghan. She was on her side, with one slender arm cradling a throw cushion nestled under her head. Long wavy blond hair spread across her back and her shoulders like a cape. Even though she was sleeping, Alex could see how pretty she was, with her delicate, almost elfin features. He stood in the doorway, watching the soft rise and fall of her chest.
What was so moving for [Diane Wilson], and also for me, is that she felt the Bay itself was like her grandmother. She said, "I don't think there's a woman alive who would give up fighting for her child, or her mother, or her grandmother."
I called my mother immediately to inform her that she was a bad parent. "I can't believe you let us watch this. We ate dinner in front of this." "Everyone watched Twin Peaks," was her response. "So, if everyone jumped off the Brooklyn Bridge, would you do it, too?" "Don't be silly," she laughed, "of course I would, honey. There'd be no one left on the planet. It would be a very lonely place.
Here was a thing that would grow old; here was a thing that would turn beautiful and lose that beauty, that would inherit the grace but also the bad ear and flawed figure of her mother, that would smile too much and squint too often and spend the last decades of her life creaming away the wrinkles made in youth until she finally gave up and wore a collar of pears to hide a wattle; here was the ordinary sadness of the world.
Her [Eleanor Roosevelt] father was the love of her life. Her father always made her feel wanted, made her feel loved, where her mother made her feel, you know, unloved, judged harshly, never up to par. And she was her father's favorite, and her mother's unfavorite. So her father was the man that she went to for comfort in her imaginings.
If she took Po as her husband, she would be making promises about a future she couldn't yet see. For once she became his wife, she would be his forever. And, no matter how much freedom Po gave her, she would always know that it was a gift. Her freedom would be not be her own; it would be Po's to give or to withhold. That he never would withhold it made no difference. If it did not come from her, it was not really hers.
I mean, her father was an alcoholic, and her mother was the suffering wife of a man who she could never predict what he would do, where he would be, who he would be. And it's sort of interesting because Eleanor Roosevelt never writes about her mother's agony. She only writes about her father's agony. But her whole life is dedicated to making it better for people in the kind of need and pain and anguish that her mother was in.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
She had said she didn't feel fear, but it was a lie; this was her fear: being left alone. Because of one thing she was certain, and it was that she could never love, not like that. Trust a stranger with her flesh? The closeness, the quiet. She couldn't imagine it. Breathing someone else's breath as they breathed yours, touching someone, opening for them? The vulnerability of it made her flush. It would mean submission, letting down her guard, and she wouldn't. Ever. Just the thought made her feel small and weak as a child.
When I was a young child, professional aspiration was synonymous to me with the clatter of my mother's high-heeled boots as she went off to teach each 1970s weekday morning, carrying her graded blue books under her arm.
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