A Quote by Leo Sayer

I remember showing Prince around Warners' recording studios. He was the nicest kid. — © Leo Sayer
I remember showing Prince around Warners' recording studios. He was the nicest kid.
I've been hanging around movie sets and recording studios since I can remember.
And for me the only way to live life is to grab the bull by the horns and call up recording studios and set dates to go in recording studios. To try and accomplish something.
We were like a stock company at Warners. We didn't know any of the stars from the other studios.
Recording studios are filled with technology. They are set in their ways. And to update them means you'd have to change them back. That would be my idea of upgrading. And this will never happen. As far as I know, recording studios are booked all the time. So obviously people like all the improvements. The more technically advanced they are, the more in demand they become.
Recording studios are interesting; a lot of people say - and I agree - that you should have a lot of wood in a recording studio. It gets a kind of a sweeter sound.
I'm a true believer that unless you're Prince or Stevie Wonder - and even Prince is showing that he needs help - not everybody can produce themselves. I'm definitely not that person.
I remember how inspiring it was to meet players like Bobby Charlton or Bryan Robson when I was a kid. I still remember Clive Allen showing up when I received a trophy for my Sunday league team.
I really love something about being around the recording studios - you know, like, those days in the '80s they'd be, like, in the studio 'til 4, 5, 6 in the morning working on these songs.
I was like, 'Prince, prince. Prince Ali. People know that from 'Aladdin.' I'm a big fan of Muhammad Ali. I can't be Muhammad Ali. I'm looking up royal - Mustafa. Mustafa's a royal name. Prince Mustafa, OK fine.' Prince Mustafa Ali came from that, and it's an easier name for people to remember, too: Prince Ali.
I've written a song for Prince. I never showed it to Prince, but just to see if I could do it. At the time, when I sort of knew him, he was recording a song a day. I wondered if I could do that. So I wrote it.
I was always the new kid in school, I'm the kid from a broken family, I'm the kid who had no dad showing up at the father-son stuff, I'm the kid that was using food stamps at the grocery store.
I remember in the circus learning that the clown was the prince, the high prince. I always thought that the high prince was the lion or the magician, but the clown is the most important.
The late '60s and the '70s, a lot of this really beautiful equipment was being made and installed into studios around the world and the Neve boards were considered like the Cadillacs of recording consoles. They're these really big, behemoth-looking recording desks; they kind of look like they're from the Enterprise in Star Trek or something like that. They're like a grayish color, sort of like an old Army tank with lots of knobs, and to any studio geek or gear enthusiast it's like the coolest toy in the world.
Showing kindness to others is one of the nicest things we can do for ourselves.
Abbey Road was actually one of the first studios I ever got the chance to go to. A friend of mine won a competition and got the chance to spend a day recording there - that's when I was around 15 - and I was the only one who could engineer out of all of us.
Remember when we was young, everybody used to have these arguments about who's better, Michael Jackson or Prince? Prince won!
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