A Quote by Leon Krier

Against expectations I was charmed by Gehry's Edgemar development, which housed the Santa Monica Museum of Art, and positively awed by the Bilbao Guggenheim. That Gehry is a great artist I have no doubt, but talent and determination are no warrant against confusion, nor are they a guaranty to produce great art.
I do quite like Gehry's Guggenheim. But where in Bilbao it's seen as an outgrowth of years of investment in urban design and engineering, in Britain it's seen as the catalyst for urban regeneration rather than the icing on the cake.
The Guggenheim Museum Bilbao looks like a great adventure.
Surprisingly, the Eisenhower Memorial design contains almost none of the known Gehry-box of tricks. His giant etched chain-link curtain, first applied in 1979 to hide an ungracious parking garage at Santa Monica Place, is resurrected for Eisenhower to screen the equally graceless facade of the Department of Education.
The need to be a great artist makes it hard to be an artist. The need to produce a great work of art makes it hard to produce any art at all. . . Fear is what blocks an artist. The fear of not being good enough. The fear of not finishing. The fear of failure and of success. The fear of beginning at all.
It is neither Art for Art, nor Art against Art. I am for Art, but for Art that has nothing to do with Art. Art has everything to do with life, but it has nothing to do with Art.
In spite of my great admiration for individual splendid talents I do not accept the star system. Collective creative effort is the root of our kind of art. That requires ensemble acting and whoever mars that ensemble is committing a crime not only against his comrades but also against the very art of which he is the servant.
Obviously, something like ballet, you have music, you dance with the music and it's a very direct connection. With visual art, when there's no music that accompanies the art, such as great masterworks in a museum, you wind up interpreting what the artist is doing, how the artist made that work and what they're conveying.
The need to be a great artist makes it hard to be an artist. The need to produce a great work of art makes it hard to produce any art at all.
To me, the art of cinema is the same as the art of painting. The artist takes a 2D medium and gives you the illusion of depth. If you look at any of the great paintings, you have the illusion of depth. Which is part of the art. The same with the great movies.
I do not feel any artist can produce great art without putting great personality into it. It is always a piece of you that goes on the screen or the canvass.
Art is an affirmation of life, a rebuttal of death. And here we blunder into paradox again, for during the creation of any form of art, art which affirms the value and the holiness of life, the artist must die. To serve a work of art, great or small, is to die, to die to self.
My mother's an artist. My father was an artist and so I assumed that was normal growing up in art and the art world and spending our time around the world seeing art, experiencing things. It was great.
I think great art goes beyond the control of the artist. In some ways, art often makes itself and reveals things about that artist that maybe the artist is not fully conscious of.
Art has knowledge and skills, and to come to know them is to be implicitly against a culture that is against knowledge - today's mass culture, which aims to produce a lot of consuming morons.
The Best of the artist's art, which will one day be in a Museum wall, the Painting that sets the artist apart of all other artist artists.
All truly great art is optimistic. The individual artist is happy in his creative work. The fact that practically all great art is tragic does not in any way change the above thesis.
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