A Quote by Leontyne Price

We should not have a tin cup out for something as important as the arts in this country, the richest in the world. Creative artists are always begging, but always being used when it's time to show us at our best.
Artists react to tragedy by doing something both as a way for us as artists to process our pain and our grief and our loss and as a way to give something back and memorialize people that are lost. That always makes it far harder to compartmentalize things. As a species, should never get used to tragedy and we should do everything we can to prevent it from happening and to celebrate people loving people. We should all be lucky enough to be loved and to love someone in return. That's what this is about.
Comic artists have always been part of my social circle. I just like hanging out with artists, and I always see them at conventions or a store signing or something. "Hey, we should do something together."
Brazil go into every World Cup expecting to win - so when it is in Brazil, it is expected even more. You can't understand what the World Cup means to our country. Not just the fans and players, but everybody in Brazil lets us know that they expect it. Our president, people in politics, all tell us to come back with the World Cup.
Chile isn't the biggest, richest or most powerful country in the world, but we should dedicate ourselves to transforming it into the best country in the world. We don't have a single minute to lose.
Starting in a World Cup is always complicated, hard, and important. When you start well... The rest of the competitors are watching. I think it's the most important match in a World Cup, along with the final.
Regardless of the fact that in this country, certainly in the arts, we treat comedy as a second-class citizen, I've never thought of it that way. I've always thought it to be important. The last time I looked, the Greeks were holding up two masks. I've always thought of it not only as having equal value, but as the craft of it, being funny.
And regardless of the fact that in this country, certainly in the arts, we treat comedy as a second-class citizen, I've never thought of it that way. I've always thought it to be important. The last time I looked, the Greeks were holding up two masks. I've always thought of it not only as having equal value, but as the craft of it, being funny.
If we don't have quality healthcare in our country, I mean, we're the richest country in the world. We should.
I think, as the writer, you're always going to mourn something [left out of a film]. But you also just want to know there's a good reason for it being left out. On the whole, you want to give something to somebody creative. The worst thing you can do is say, "Here, be creative, but do it like I want you to do it." I was always very mindful of that.
We hear time and again what a prosperous, affluent country Britain is, the sixth richest in the world. But aren't we ashamed that people who need emergency food handouts are eating cold beans and stewed steak from the tin, or handing it back, because they can't even heat it up?
Through our own creative experience we came to know that the real tradition in art is not housed only in museums and art galleries and in great works of art; it is innate in us and can be galvanized into activity by the power of creative endeavour in our own day, and in our own country, by our own creative individuals in the arts.
The storyteller is deep inside everyone of us. The story-maker is always with us. Let us suppose our world is attacked by war, by the horrors that we all of us easily imagine. Let us suppose floods wash through our cities, the seas rise . . . but the storyteller will be there, for it is our imaginations which shape us, keep us, create us - for good and for ill. It is our stories that will recreate us, when we are torn, hurt, even destroyed. It is the storyteller, the dream-maker, the myth-maker, that is our phoenix, that represents us at our best, and at our most creative.
When we auditioned for 'The X Factor,' we were five individuals going into the show. That obviously means we are five solo artists in our beings, so we have our own creative ideas, of what sounds the best music-wise, because we are all artists.
The word 'ego' is very important. The ego is an important element of being human, and of being creative. We need that ego in order to give us a confidence of doing what we're doing. Ego pushes us into the creative world in order to create for something more. I think that a great company of actors, they all have egos, very strong egos, but they're all prepared to share together in order to achieve something even better than that.
I just want to say what a tremendous honor it is to be on a show like 'The Newsroom.' I've always dreamed of being on something this important and being on a show that really resonates with a lot of very, very intelligent people in the world, and I've gained such a loyal fan base.
The first important thing is representing the country. That feeling will always be there, be it World Cup or any other tournament.
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