A Quote by LeRoy Neiman
I played an artist in a comedy called 'Rooster.' It was a zany film by Glen Larson, a friend who produced several successful television series including 'Magnum PI.
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I played an artist in a comedy called 'Rooster.' It was a zany film by Glen Larson, a friend who produced several successful television series including 'Magnum PI.'
I would never, ever, ever, ever say I have regretted the 'A-Team,' 'Magnum PI' or 'Murder She Wrote' or any of the others I did - and if you mention a television series, I'm sure I had a hand in it.
Fred Silverman, the head of ABC, he offered me a lot of comedy series but I told him I'd already been the best comedy series around, "The Odd Couple," and so when he saw that I did Quincy he called my agent and said, Jack turns me down? All my good series and he ends up playing an undertaker." And this was the HEAD of ABC series.
Every film is a remake of a previous film, or a remake of a television series that everyone loved in the 1960s, or a remake of a television series that everyone hated in the 1960s. Or it's a theme park ride; it will soon come to breakfast cereal mascots.
There used to be a huge snobbism between the film industry and the television industry. I produced and acted in my first - well way back - but the first thing that I produced and acted in was Sarah, Plan and Tall. And the only place to go at the time for really quality television was Hallmark Hall of Fame. And think how much television has changed since then.
The only reason to do a television series is to make it successful. And if it is successful, that's a six or seven year commitment.
I suppose drama can either take the place of a novel or can be very closely allied with it. It's quite customary to turn a successful novel into a film or a television series because you can dramatize and pictorialize a novel.
It was the ill-fated Dil Diya Dard Liya in 1966, where she played my friend. Though the film didn't do well, it is remembered for its powerful theme. Shyama was an entertaining friend during the shooting and we continued our friendship even after the film was over.
I think most people, almost 96 percent, remember me as Catwoman on the 'Batman' television series. It is a part I will always be grateful for, because it was one of the great parts ever written for a woman. She was sexy, sassy and successful. I played many things, but that is what I will probably be best remembered as.
My first professional job was a Pete Bowker series for ITV called 'Monroe.' I played a Junior Cardiac Surgeon called Mullery.
I am not doing comedy because the genre is successful. If that was the case, I would have done a run-of-the-mill comedy film. I set my own trends. I like to give something new and different to my audiences. I want to do the kind of comedy that has been missing till now.
I formed a band called Atomic Rooster. The Atomic Rooster was sort of an underground cult band, sort of psychedelic. We did very well.
I'd really been wanting to do a television series. I was looking for a comedy.
ZANY, n. A popular character in old Italian plays, who imitated with ludicrous incompetence the _buffone_, or clown, and was therefore the ape of an ape; for the clown himself imitated the serious characters of the play. The zany was progenitor to the specialist in humor, as we to-day have the unhappiness to know him. In the zany we see an example of creation; in the humorist, of transmission. Another excellent specimen of the modern zany is the curate, who apes the rector, who apes the bishop, who apes the archbishop, who apes the devil.
My dream was never necessarily comedy. I really wanted to make film or television and was interested in darker stuff over comedy, but I knew I liked dark comedies.
Why learn a number like pi to so many decimal places? The answer I gave then as I do now is that pi is for me an extremely beautiful and utterly unique thing. Like the Mona Lisa or a Mozart symphony, pi is its own reason for loving it.
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