A Quote by Leslie Fiedler

When somebody asks me what I do, I don't think I'd say critic. I say writer. — © Leslie Fiedler
When somebody asks me what I do, I don't think I'd say critic. I say writer.
When somebody asks what I do, I guess I say 'writer' first.
I don't mind if somebody comes up to me and shakes my hand, but if I'm in the middle of a restaurant and somebody asks me for a picture, I can be a jerk and say no, or I can say yes and draw more attention to myself, which is exactly the opposite of what I want.
I dont mind if somebody comes up to me and shakes my hand, but if Im in the middle of a restaurant and somebody asks me for a picture, I can be a jerk and say no, or I can say yes and draw more attention to myself, which is exactly the opposite of what I want.
You know, a friend of mine asked me before I got here... it was when we were all shipping out. He asked me, 'Why are you going to fight somebody else's war? What, do y'all think you're heroes?' I didn't know what to say at the time, but if he asked me again, I'd say no. I'd say there's no way in hell. Nobody asks to be a hero. It just sometimes turns out that way.
When someone asks me now, "What do you do?" I will be able to say, "I am a writer."
Being critical of art is a way of showing art respect. No sports writer would say, "Well the Yankees had a great season this year." No food critic would get a bad meal and say, "Oh, it was so lovely." It always strikes me as odd when people say, "Why do you write negatively about any art?" I think that everybody has mixed feelings about everything - even Goya. I mean, I look at Rembrandt sometimes and I hear a voice in my head go, "It's pretty brown."
When I'm identified as a fiction writer at parties, the question comes pretty quickly. 'Did you go to school for it?' someone asks. 'Yes,' I say. 'Where?' they ask, because I don't usually offer it. 'I went to the Iowa Writers' Workshop,' I say.
One of the reasons I don't do social media is that I like the feeling that if somebody asks me for a picture on the street, I don't have to say yes.
If you are going to be a writer there is nothing I can say to stop you; if you're not going to be a writer nothing I can say will help you. What you really need at the beginning is somebody to let you know that the effort is real.
You don't wanna walk around and say, 'I'm somebody's niece, I'm somebody's cousin, I'm somebody's daughter. Who are you?' And I think that's always the challenge when you grow up in a well-known family, is ultimately, you have to face yourself in the mirror and say, 'Who are you? What have you done?'
I think anyone who's not as good a writer as me is absolutely a hack, and I think anybody who's a slightly better writer than me is brilliant. So of course that makes me a horrible critic when it comes to books, because I can't distance my own experience from what I'm doing.
I'm a husband and a dad. Two thirds of my day is spent being that character. It's a huge part of my identity and why I pursue things I do. I'm interested in questions my son asks me, like, "Why do animals fight? Why do you have to leave us to go on the road?" Everything he asks gets me thinking. If I'm going to do this, sacrifice time with family and friends, sacrifice resources, I need to think carefully about what I going to say and how I'm going to say it.
People say I seem very negative about new music - well, if somebody asks me what I think of Keane, I'll tell 'em. I don't like 'em. I'll obviously take it a step too far and grossly insult the keyboard player's mam or summat, but I'm afraid that's just me.
I write a lot and I will have some originals on the record. I think it is a mistake for an artist like me to think I am a better writer than Cole Porter. I think it is important to realize what my strengths are. I do like to write and I'm not shabby but I don't think I'm the most brilliant writer. I think it would be a shame and sort so egotistical to say I don't need these wonderful writers. These men created works of art and wrote hundreds of beautiful songs. It would be a mistake for me to say at this point in my career that I am so good.
For more and more of us, home has really less to do with a piece of soil than, you could say, with a piece of soul. If somebody suddenly asks me, "Where's your home?" I think about my sweetheart or my closest friends or the songs that travel with me wherever I happen to be.
For more and more of us, home has really less to do with a piece of soil than, you could say, with a piece of soul. If somebody suddenly asks me, 'Where's your home?' I think about my sweetheart or my closest friends or the songs that travel with me wherever I happen to be.
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