A Quote by Leslie Charteris

About the Saint's amorous adventures, by the way, I can't speak so brazenly. — © Leslie Charteris
About the Saint's amorous adventures, by the way, I can't speak so brazenly.
in the press, my sex life was something else again. I was Lady Bountiful of the Sheets. Some of the best fiction of the Sixties was written about my amorous adventures with an assortment of lovers who could have only been chosen by a berserk random sampler.
We do inherently know that poetry is about the way we speak. It's about where we pause, where we drop our words in the middle of a sentence. It's about the rhythm and the cadence of the way we speak. It's about putting that down at the end of the day.
I see comments occasionally about the way I speak but it goes straight over my head. You speak the way you speak and it is a silly thing to judge someone on.
Christianity has its own superstition, anyway: Why you turn three times, what this saint means, why you pray to the patron saint of lost causes, why you go this way or that way.
You know, Christianity has its own superstition anyway: Why you turn three times, what this saint means, why you pray to the patron saint of lost causes, why you go this way or that way.
Is this what it is to get older, to have adventures you can no longer tell your family because you are moving apart from them?...Or do you grow up and have adventures you tell no one? Are some adventures only yours alone?
A saint is one to be for two when three and you make five and two and cover. A at most. Saint saint a saint.
I wish people wouldn't think of me as a saint - unless they agree with the definition of a saint that a saint's a sinner who goes on trying.
Whenever anybody called Nelson Mandela a saint, he would say: "If by saint you mean a sinner who is trying to be better, then I'm a saint."
A lot of people go off and have fun adventures, or hard adventures, and their impulse is to write about them right away. What really makes a difference is having some perspective on what happened.
We can speak of politics, ethics, and in this way, speak about the world. But at the same time, it's always in a way that is totally nebulous and abstracted, this way of thinking about reality. And that's why I write the way I do - it's an almost immortal way to show dependence on the biological, the political, the moral parts of us. I say immortal because we now have to find new formats, new eloquences, and resolve within ourselves this "constructed" life, a life that is incomplete, imperfect.
We're painting the same people all our life - it's just the way we look at them that changes. If you experience trauma, you can speak about it in so many different ways. You can speak about landscape, you can speak about your food; it's always different. Trauma is the beginning of life as an artist.
To defend his purity, Saint Francis of Assisi rolled in the snow, Saint Benedict threw himself into a thorn bush, and Saint Bernard plunged into an icy pond... You - what have you done?
A saint is Christ's bride, totally attached, faithful, dependent. A saint is also totally independent, detached from idols and from other husbands... A saint is higher than anyone else in the world. A saint is the real mountain climber. A saint is also lower than anyone else in the world. As with water, he flows to the lowest places - like Calcutta.
Virtues are in the middle, the royal way about which the saintly elder (Saint Basil the Great) said, "Travel on the royal way and count the miles." As I said, the virtues are at the midpoint between excess and laxness. That is why it is written, "Do not turn to the right or the left" (Prov 4:27) but travel on the "royal way" (Num. 20:17). Saint Basil also says, "The person who does not allow his thoughts to incline towards excess or deprivation but directs it to the midpoint, that of virtue, is upright in heart."
You cannot be half a saint; you must be a whole saint or no saint at all.
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