A Quote by Letitia Baldrige

If somebody is disrespecting somebody, we should step in - even at the risk of getting slugged over the head. — © Letitia Baldrige
If somebody is disrespecting somebody, we should step in - even at the risk of getting slugged over the head.
What people have trouble getting their head around is the idea that a celebrity, somebody whom they admire, somebody who seems to have everything, would even be depressed.
I don't understand what people are talking about in different rhymes glorifying jail. If you like going to bed early, getting yelled at, seeing a fight, seeing somebody getting their head split open, or fighting over the TV then that's the place for you.
It surely is far better to be disliked by somebody you don't love than by somebody you do. Even so, I mind. Even so, failing to love somebody is a failure.
I'm giving you my life to prove to myself I can, I really can love somebody. Even when I'm not getting paid, I can give love and happiness and charm. You see, I can handle the baby food and the not talking and being homeless and invisible, but I have to know that I can love somebody. Completely and totally, permanently and without hope of reward, just as an act of will, I will love somebody.
I've been a jealous person myself. I've been distrustful, convinced that somebody's having an affair with somebody else. If you believe it in your head, everything looks like a lie. When you're looking for it, you always see it - even the change of expression in their face.
There are so many huge roles in the theatre: if you've got the option to play Hedda Gabler on stage, why wouldn't you choose that over a three-line part in a Hollywood film as somebody's maid or somebody's wife or somebody's best friend?
All my life I've felt like somebody's wife, or somebody's mother or somebody's daughter. Even all the time we were together, I never knew who I was. And that's why I had to go away. And in California, I think I found myself.
We had four guys in the family, so somebody was always hitting somebody or chasing somebody or getting mad or fighting or wrestling - that was just what you did. So when you're the youngest, it's good for you. You figure out real early how to get out of headlocks and holds.
What you're trying to create is a certain kind of an indispensable presence, where your position in the narrative is not contingent on whether somebody likes you, or somebody knows you, or somebody's a friend, or somebody's being generous to you.
Sometimes I don't even know what to name a song when I get done with it, and I'll let somebody else tell me what I should call it because it's whatever stuck in their head.
It's important, therefore, to know who the real enemy is, and to know the function, the very serious function of racism, which is distraction. It keeps you from doing your work. It keeps you explaining over and over again, your reason for being. Somebody says you have no language and so you spend 20 years proving that you do. Somebody says your head isn't shaped properly so you have scientists working on the fact that it is. Someone says you have no art so you dredge that up. Somebody says you have no kingdoms and so you dredge that up. None of that is necessary. There will always be one more thing.
With me, even if my life depended on it, I wouldn't be able to cry. Not with somebody there. Because even if I'm talking about bad and upsetting things, if there is somebody else in the room, I am trying to entertain them. If there is somebody there, I am in performance mode. I can only cry if I am on my own.
Everybody's one fight away from getting a title shot if they step in on short notice for somebody.
I don't mind getting beaten by Manny Pacquiao, Floyd Mayweather Jr and people like that, but I'd hate to go into a training camp with my heart not fully in it and risk getting beaten by somebody who shouldn't be beating me.
To be honest, at that point, just being so fresh to L.A., I was in the mind-set of just getting work, at all costs. But, if you take a step back from it, it's just such a blessing to be able to play somebody like Glenn. Me being Asian American, it's nice to have something to play that's not so very stereotypical. It's also nice to have somebody that I identify with.
I always had dreams, my whole life, of being somebody special. Someone out in the world that everybody knew of and everybody liked. Somebody unique. Even when I was down on my luck, in my head I still had those dreams.
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