A Quote by Lee Krasner
I went into my own black-out period which lasted two or three years where the canvases would simply build up until they'd get like stone and it was always just a gray mess. The image wouldn't emerge, but I worked pretty regularly. I was fighting to find I knew not what, but I could no longer stay with what I had.
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I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really; I was pretty tasteful and had good ideas musically. But I had a terrible sense of tempo, which is like being a blind painter. The conductor would just rip into me, and it lasted for years.
My main focus, whenever I put on a new uniform, was just to provide energy. ... There was one thing I knew I could never mess up, and that was going hard. That's what I really kind of relied on to get me through the transition period between two teams.
I was always fighting with everyone when I was a kid. I was playing with people two or three years older than me, and I had to survive. So I love the physical game, the contact. And I don't know why, but I think football is like this. It is not just touching the ball and stringing together 50 pretty passes consecutively.
I've had two jobs my whole life. I worked at FedEx for, like, two days, and I worked at Popeye's for a week. I just needed a check. It was a standard thing for people where I'm from. Well, people from there that did what I did for a living, you know what I'm saying? Go get you a quick check when you mess your money up.
Let me just say you could end this violence within a very short period of time, have a complete ceasefire - which Iran could control, which Russia could control, which Syria could control, and which we and our coalition friends could control - if one man would merely make it known to the world that he doesn't have to be part of the long-term future; he'll help manage Syria out of this mess and then go off into the sunset, as most people do after a period of public life. If he were to do that, then you could stop the violence and quickly move to management.
Like my writing, my voice has been something I've worked at. I knew I had a good voice but it was a matter of time before it was what I've got now. I've had to build my vocal muscles up until they were like Arnold Schwarzenegger.
I’ve come in and out of America for… well, I’ve lived here for 15 years. And I’ve played here for nearly 30 years. On and off. But I’ve always played to my fan base. And I can come and do two or three nights in New York or two or three nights in L.A., and all that. But when I go away, nobody knows I’ve been gone. You know, I don’t get reviewed or anything like that. So that’s why I’ve come back and done a longer time in a smaller place, in New York. It’s always the people who live here that get a chance to know me.
She sat in her room on the couch my parents had given up on and worked on hardening herself. Take deep breaths and hold them. Try to stay still for longer and longer periods of time. Make yourself small and like a stone. Curl the edges of yourself up and fold them under where no one can see. ~pg 29, Susie's sister Lindsey dealing with grief.
I grew up with Al Jarreau. We had a band together and worked these places for three years when neither one of us knew we could make a living doing music.
When I worked on 'Xena' I had to concentrate on fighting like Lucy Lawless. In 'Kill Bill' I not only had to stop fighting like Lucy, after three years of copying her moves, but start fighting like a Wu Shu martial artist. I'd never done Wu Shu before so mentally it was a massive challenge.
I had big teeth, and I was goofy. I probably used to mess with people too much. People were always trying to be cool, and I was just being goofy and an idiot. So whenever I would get picked on - which happened a lot - I would usually find a way to talk my way out of it or joke my way out of it.
The best time to start promoting your book is three years before it comes out. Three years to build a reputation, build a permission asset, build a blog, build a following, build credibility and build the connections you'll need later.
I knew that the black struggle wasn't my struggle. But I felt like it was my-struggle-adjacent, you know? I've always said that if you turn the dial in one direction, a Muslim is a Jew is an East Asian person is a Native American and so on. I feel very much that all of these struggles are kind of the same and - Hillary Clinton actually said this recently - when you get rid of one barrier, it opens up the gates for a whole bunch of people you didn't even know would benefit from it. So not fighting for the black struggle is like not fighting for the Muslim struggle.
In Jack Dempsey's early days he had a fight contract, which paid him two dollars per fight for the fights he won. He received nothing for the fights he lost. Jack Dempsey said that in his early days he was knocked down a lot of times and he usually was tempted to stay down because he knew that no one would hit him again until he started to get up. But Jack was a hungry fighter and he knew that if he was going to eat, he must get up in order to get the two dollars. He tells of one occasion when he was knocked down 11 times in one fight, and 11 times he got up in order to win the $2.
Once you're finally in a place at Saturday Night Live that you're really comfortable, that's when you should probably be leaving, unfortunately. I think most people stay two or three years longer than they should, because it's very simple, the vacations are great, and you get good at what you do. It's like any job, you're like, "Oh, I know how to do this." You know it's a temporary thing, but it's easy not to walk away from. You find yourself going, "I'll leave next year, or I'll leave the year after." But it's a job you probably shouldn't be at for longer than five years, to be honest.
I didn't like school. I was pretty much daydreaming all the time. I would be in the back of the class writing down random stories and stuff that would have nothing to do with school. I only lasted two years in high school before I moved out to L.A.
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