A Quote by Lee Mack
I don't look at comedy as a sliding scale of offensiveness.
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It seems there's a sliding scale between the money they spend on a movie and its creativity.
Each child’s story is worthy of telling. There shouldn’t be a sliding scale of death. The weight of it is crushing.
Poverty, therefore, was comparative. One measured it by a sliding scale. One was always poor, in terms of those who were richer.
I've tried to create a comedy that doesn't look like any other comedy. Maybe traditionally in TV there has been a kind of formula that says, 'Oh, comedy has to look this way; it has to look super bright.' But the way we shoot 'Insecure' is motivated by the mental state of each of our characters.
Collective action is a tough thing, but I can't think of a more divided moment than right now. We're going to keep sliding - Detroit will keep sliding, the country will keep sliding, and we'll just become a second-rate nation - if we don't make some decisions as a country.
I had no money to buy books, so between classes and work, I haunted the library. I even tutored in French with a sliding scale of payment: twenty dollars for an A, fifteen for a B, ten for a C, five for a D.
My mother very rarely skipped a Thanksgiving turkey. And yet, none of them ever tasted quite the same, landing somewhere on a sliding scale of succulence. She'd try new methods.
Scale is a mental - you can say that a lounger has scale, a building has scale, or an object has scale, or a page, or whatever if it's just right. A scale is a relationship to the object and the space surrounding it. And that dialogue could be music, or it could be just noise. And that is why it is so important, the sense of scale.
Cycling taught me to recognize that mental health is on a sliding scale. Some days you are up and some days you are down.
Almost every comedy you see is about people making all wrong choices and making all the errors of judgement possible. Good comedy is when it works on this scale. Because it is psychologically very real.
'Ides of March' I did for scale - scale as a director, scale as an actor, scale as a writer.
People are beginning to become disturbingly comfortable with a kind of official hypocrisy. Bizarrely, for instance, we've become numb to the idea that rights aren't absolute but are enjoyed on a kind of sliding scale.
The consciousness in each man is a sliding scale, which identifies him now with the First Cause, and now with the flesh of his body; life above life, in infinite degrees.
People can see that we are part of a tradition of absurd comedy, stretching from Spike Milligan and Peter Cook through to Monty Python and Vic Reeves. We're not like Ricky Gervais's hyper-real cringe comedy. We're at the other end of the scale, but there's room for the sillier stuff, too.
Comedy is lively, comedy is joy, and that's what keeps us [people] going, we've got to look forward to little, little happiness's. Little, little joys, and comedy is very, very important, it's a vital. We underestimate its value, but we should see more comedies. Comedy is life giving, it's invigorating. I really believe it.
I find myself really privileged to be able to go in and look at a set that the likes of Hollywood can provide, and say, 'My God, look at the craftsmanship in this; look at the ambition in it, the scale of it.'
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