A Quote by Lee Min-ho

I don't have any specific criteria on doing a drama based on where and what country. If I like the storyline, I'll go for it. — © Lee Min-ho
I don't have any specific criteria on doing a drama based on where and what country. If I like the storyline, I'll go for it.
I'm almost 60. I've been doing this for a while. In order to do this for that long, you have to make decisions based on lots and lots of different criteria, you know. I mean, the criteria has to shift, especially if you're an actress.
Textbooks pretty much have no real drama. They have no real storyline. To the extent they have a storyline.
I accept a character purely based on its merits and not on any other criteria.
I just have to remind myself that my daily quotidie in life has almost nothing to do with any aspect of my professional life as a public figure. And I think a lot of people get to that point - specifically, sort of getting comfortable looking out for yourself and taking care of yourself and defining yourself based on healthier criteria, and not criteria that's established by complete strangers that you've never met.
Doing drama is a very welcome departure from comedy. Although I love doing both, I like to change it up a bit once in a while with roles in serious drama.
But then I got a job selling coffee at the York Theatre, and when I met theatre people, something clicked. I felt comfortable with them; I felt like myself. I decided to go to drama school based just on that feeling. I had never done any acting.
I didn't quite fit in in any particular, specific way. I was a gay teenager who was into drama.
New York police force seems like unlike any other in America and even the world. There's a very specific culture dynamic, a specific chemistry. There's almost a specific set of rules because of the city and the size of it.
The basis of drama is... the struggle of the hero towards a specific goal at the end of which he realises that what kept him from it was, in the lesser drama, civilisation and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable.
Things have a behavior online, whereas in print, there is a single canonical expression for them, but online everything responds to different criteria or has inherent states to it based on that criteria. So, you have to design that in a different way. It's a completely different dynamic even though it may look similar.
Some of the writers definitely got inspired by some of the story lines, but we are evolving in the 'Daredevil' story. So when it comes to 'Elektra', they didn't follow one of her specific story lines, you know. They really tried to capture what comes through the comics, but there's not one specific storyline.
I feel as though my criteria are based more on how challenging the role is, it doesn't have to fit into any particular profile, is it something that I've never done before, and is it something that I feel like I can really feel challenged and therefore fully engaged in, and that's when the work gets to be the most fun.
Part of the criteria for doing a project is that it's scary or challenging because at some point you go, 'It's too scary; it's too challenging. I don't want to do it.' But things that seem easy are never any fun.
My criteria for doing theater has always been slightly different than my criteria with movies, in that there are a lot of reasons to do films, having to do with location, money, and first and foremost having to do with script and role and director.
In a drama, you generally have to be very faithful to the script and the storyline, and it all has to fit together, and it's weighty and serious.
I like something with a really great storyline, characters, and concept. I like doing things that are new and cutting edge.
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