A Quote by Lee Ranaldo
Bands rise and surface in the British press so regularly that, for the most part, unless something really catches my ear, I feel like, 'Oh, if they're still around in two years, I'll see what they're up to.'
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I'm not gonna say something unless I really feel comfortable around you. Unless I feel like I know you, I'm not gonna really open up.
In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.
I think that people all grow up and have their same personalities, but you can say, "Oh, I can see the roots of this personality, which I didn't like, but then you grew up, and I can still see you as that person, but I do really like you now." Which is sort of how I feel about children - I mean, about children who I knew when I was a child and grew up with, and they're still my friends, and children that I know as children who I see growing up, and every year I like them more.
I'm living in a world that was created a hundred years ago with vaudeville and people traveling around and medicine shows and things and making live music on stage and I'm still doing that. I like it that way. I like to present something to people that's had 40 years of being honed and perfected. It's something that you're not going to find with an artist who's been around for two or three years, or even ten years.
Rise above the dualities, the opposites. See this whole world as the bubbles on the surface of water. See people as bubbles on the surface of the Brahman, of the Infinity...Water bubbles up, rises up. Like that, everybody is rising and having their own games and plays and dissolving back into the Infinite.
In my bands, I don't really walk around telling people what to play, just out of respect really. I mean, if there's something I feel in my gut, I'll bring it up.
I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.
I don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.
It's your duty to use what influence you have, unless you want to drift through life like a fish belly-up on the stream" "I wish I could believe that life really is something more than a stream that carries us along, belly-up" "Alright, if it's a stream, you're still free to be in this part of it or that part, aren't you? The water will divide again and again. If you bump, and tussle, and fight, and make use of whatever advantages you might have-" "Oh, that's fine, I'm sure, when you have advantages." "You'd find them everywhere, if you ever bothered to look!
As a young man, even if I was going to see a play or a film by myself, I didn't feel like I was alone. There was something that was unfolding up there that brought me into it. And I recognised that. For those two hours, it made me feel like I belonged to something really good.
Some people are still not into us. That makes sense. We haven't really done a lot of press. We haven't put ourselves out there in ways that a lot of people would know we are still around. Unless you tour or record, they don't know you are around.
I still have so much gratitude for being part of something so great that is still around 20 years later, played in school and still getting the recognition that it gets. It is shocking, but then like I said, it's timeless so it isn't.
In the stable emissions model, in which a rise in global surface temperatures by two degrees Celsius from preindustrial times is more than likely, the Northeast would still see a robust increase in nitrogen loading.
You just need the ear. But the ear is something, I guess, that you can't buy. And I can't play the piano fluently, but I feel like my ear is my strong point.
I felt like, for so many years - and I still even feel it - as a girl, you can't really expect to go on stage and dress like a boy and jump around and scream with the audience and mosh and stuff, and every time that happens, I feel really proud.
English law in 1572 decreed that beggars above 14 years of age are to be severely flogged and branded on the left ear unless some one will take them into service for two years; in case of a repetition of the offense, if they are over 18, they are to be executed, unless some one will take them into service for two years; but for the third offence they are to be executed without mercy as felons.
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