A Quote by Liam Gillick
I think when people struggle with the problem of trying to understand the art world as an idea, they misunderstand it. They think it's a world of visionaries or opportunists. But it also includes people who want to take part in this cultural exercise but don't have the required stuff, they don't have the ideas or the production.
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People think that the art market is about opportunists and hedge-fund managers getting broken art, but what really happened is that there was a new configuration of bourgeois values in the U.S. and an acceptance among the bourgeoisie of contemporary art as an idea. I think that bourgeois people are horrible.
Some movies, I think, present ideas of the world that just don't help people with their lives. They just present things that are fleeting or stupid. So that's what I'm careful about - making sure I'm part of something that is saying something that I think is valuable in the world of people, not necessarily in the world of art.
I'm not trying to amass people in the streets. I just want them to be more aware. So many Americans, for one reason or another, they watch the news and it doesn't really give them the idea of the world. Or they don't read or travel. They have no idea that America is part of the world and not the world itself. And so anything from the travel stories I tell, that's what I'm trying to get across.
I think I understand why baseball players today are a little standoffish, because the world has changed. You don't know who's trying to take advantage of you, what people really want.
The real problems are cultural. The problems of the people who take drugs as a cultural trap - I think there's a real problem there, the crack stuff, the hopelessness of the junkie. The urban angst.
When I write stuff that's provocative, I want people to think about that, too. I'm in between a pop musician and an artist in that way. I want people to be part of the music as they listen, but I also want them to think: What was that?
In fairness, I don't think that everyone understands what I say, but I think they understand part of it and part of what the issues are... Just the same way that people like a good painting, I think people really like understanding, knowing about the world.
The most important factors for a long life, I think, are partly in the genes; number two is lifestyle, which includes healthy diet and regular exercise. I walk, run and swim every day. However, I think too much exercise is also unhealthy because of over-stress; sometimes people who exercise too many hours per day die early.
I don't feel that I'm explaining the world or teaching people anything. And I'm not trying to be a mirror, showing them what's really going on the world. All I'm trying to do is think of stuff that's funny, just like when I'm kidding around with my friends.
I don’t think there’s any problem with advancing consciousness and becoming more and more aware of the struggle, not with the world, not to convince other people to do anything. The really interesting think is the struggle with the self, and the relation with the self, and there is no end to the improvement that can be done there, the discoveries that can be made.
Turkey's relationship with the West is a love-hate one. There are people in Turkey who want to open to the outside world and others who are frightened of the outside world. They don't feel secure; they think that foreigners are trying to harm or even destroy Turkey. But that's not true of the majority of Turks, who want to exercise their skills in a global market.
Many people misunderstand me - I'm quite happy to be called a photographer. All of a sudden, the art world has caught up with photography, and they are trying to hijack us.
I think that, to be an artist, you have to have a big enough ego to believe that people out in the world want to see what you think is a good idea. And if you don't have that sense of ego, then the minute that idea goes into the world, self-doubt kicks in.
Traditionally, we think that people with ideas are innovators - that Silicon Valley is the world of ideas. But within the hedge-fund world, they believe that they are men of ideas - that the trade is unto itself one of ideas.
At Facebook we feel a lot of affinity not just for this community but for any community that is trying to do what Davos is trying to do, which is to share information. And Davos is doing it in a particular way - I think the Facebook approach is obviously more broad-based, we're trying to include everyone in the world. But the goal is the same: bring people together, to share information and make the world more connected, and have people have a deeper understanding of themselves, others, the communities of which they want to be a part and can be a part.
I get the feeling that people from outside the world of contemporary art see it as deserving of mockery, in an emperor's-new-clothes sort of way. I think that's not right and that it's just because they don't understand the discourse. The art world is filled with vibrancy.
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