A Quote by Liv Ullmann
It is tough to be a woman. Also as an actor, but more so as a director. And even more today, when distributors and producers are looking at different kinds of films and maybe not necessarily what a woman would want to do.
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When I first started making films 30 years ago, people would comment that I was a woman. But strangely, when I was in television, no one ever mentioned that I was a woman. Maybe it was because television and film were different. There were more women working in television than men. There was no split in terms of work - everyone was considered equal
I want to be a commercially viable actor. I want that the distributors and producers should earn the money; then only, you become a bankable actor.
My mum is deeply, deeply a man's woman, a man's muse. Maybe because I'm a kid from the '80s, I'm a bit more dominant. I wanted to be the muse and the director also. I wanted to be the man and the woman.
Male directors always project their own desire of women - how they want a woman to dress, to do her hair. With a woman director, it's more a projection of herself.
If a woman could take care of herself, would she still need a man? Would she even want one? And if she didn't want a man, what kind of woman would she be? Would she even be a woman? Because it seemed if you were a woman, the only thing you were really supposed to want was a man.
When I look at him [Edward Heath] and he looks at me, I don't feel that it is a man looking at a woman. More like a woman being looked at by another woman.
The corporate woman has been defined as the 'liberated woman' and I see that as the exact opposite. I think she now is more enslaved, maybe even more than the housewife was; because she's so out of her power, and imitating male power is not female power.
Even while I was working on the novel I would also write short stories as relief, just to be in a wieldier world that could negotiated more easily and more quickly. In the novel, I even changed the narrator from a man to a woman.
I think I'm drawn to films more as a director with a directorial mind even as an actor. I make movies to make the films, not to act.
There are two kinds of spiritual law, two kinds of conscience, one in man and another, altogether different, in woman. They do not understand each other; but in practical life the woman is judged by man's law, as though she were not a woman but a man.
Everyday something new pops into my mind: I could do this next or I could do that next. I want to grow more and more and show people different sides of myself, whether it's different kinds of music, different kinds of movies, or different kinds of television.
Woman is the future of man. That means that the world which was once formed in man's image will now be transformed to the image of woman. The more technical and mechanical, cold and metallic it becomes, the more it will need the kind of warmth that only the woman can give it. If we want to save the world, we must adapt to the woman, let ourselves be led by the woman, let ourselves be penetrated by the Ewigweiblich, the eternally feminine!
From woman, man is born; within woman, man is conceived; to woman he is engaged and married. Woman becomes his friend; through woman, the future generations come. When his woman dies, he seeks another woman; to woman he is bound. So why call her bad? From her, kings are born. From woman, woman is born; without woman, there would be no one at all.
I like to go out there looking like a strong woman, because I am strong. But I am also a woman who goes through all kinds of problems and highs and lows.
You want a woman who shares your belief and your faith because that is usually your core. So, you want a woman whom you know can stand on that same foundation you both equally embrace and share. You also want a woman who is ambitious but also knows how to balance it with family.
For women there are, undoubtedly, great difficulties in the path, but so much the more to overcome. First, no woman should say, "I am but a woman!" But a woman! What more can you ask to be?
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