A Quote by Liv Ullmann

Ibsen was Norwegian by birth, but universal in spirit. — © Liv Ullmann
Ibsen was Norwegian by birth, but universal in spirit.
I dream in Norwegian, I count in Norwegian so that basically makes me Norwegian now, I suppose.
You can write a radical Norwegian or a conservative Norwegian. And when I changed to a conservative Norwegian, I gained this distance or objectivity in the language. The gap released something in me, and in the writing, which made it possible for the protagonist to think thoughts I had never myself thought.
A play is basically a long, formalistic polemic. You can write it without the poetry, and if you do, you may have a pretty good play. We know this because we see plays in translation. Not many people speak Norwegian or Danish or whatever guys like Ibsen spoke, or Russian - yet we understand Chekhov and the others.
I'm 100% Norwegian. Three generations removed and all continuous inbreeding of Norwegian of Minnesota and Iowa, so I traveled to Norway before.
If the election of the Father is not universal and the regeneration of the Holy Spirit is not universal, why would the atonement of the Son be universal? That would put the persons of the Trinity completely at odds with one another-but the triune God is completely unified.
I really hated being the Norwegian girl in every single conversation in Australia, so I tried to make my Norwegian-ness invisible, speaking like whoever was around me.
I am an American, but a sense of otherness was part of my growing up. I spoke Norwegian before I spoke English. My mother is Norwegian.
If you're a Norwegian writer, you are not visible in the world. The door of the English language is very hard to open for a Norwegian writer.
We are not born all at once, but by bits. The body first, and the spirit later; and the birth and growth of the spirit, in those who are attentive to their own inner life, are slow and exceedingly painful. Our mothers are racked with the pains of our physical birth; we ourselves suffer the longer pains of our spiritual growth.
And then, with a European director and Norwegian actors speaking in Norwegian, it was going to be very interesting. So, whatever initial trepidation or fear I may have had was alleviated by those factors. I just said, "This is something to get on board with."
All forms of birth--physical, intellectual, spiritual or emotional--bring one to the depths. The power to give birth originates in the creative life spirit birthing all, the seen and the unseen.
The liberation cannot be reached but by means of the perception of the identity of the individual spirit with the universal spirit.
Mozart combines serenity, melancholy, and tragic intensity into one great lyric improvisation. Over it all hovers the greater spirit that is Mozart's - the spirit of compassion, of universal love, even of suffering - a spirit that knows no age, that belongs to all ages.
The great Norwegian playwright, Henrik Ibsen, wrote, "One of these days, the younger generation will come knocking at my door." The future is knocking at our door right now. Make no mistake, the next generation will ask us one of two questions. Either they will ask: "What were you thinking; why didn't you act?" Or they will ask instead: "How did you find the moral courage to rise and successfully resolve a crisis that so many said was impossible to solve?
In Sweden I am considered the Finnish-Norwegian, in Norway Finnish-Swedish, and in Finland Swedish-Norwegian. I've never really belonged anywhere.
Never the spirit was born; the spirit shall cease to be never; Never was time it was not; End and Beginning are dreams! Birth-less and deathless and changeless remaineth the spirit forever. Death hath not touched it all, dead though the house of it seems!
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